Utopia by Thomas More

“The moste vyctoryous and tryumphante Kynge of Englande, Henry theight of that name, in all royal vertues Prince moste peerlesse, hadde of late in contrauersie with the right hyghe and myghtie king of Castell weightye matters, and of greate importaunce; for the debatement and final determination wherof the kinges Maieste sent me Ambassadour into flaunders, ioined in commission, and whom the kinges maiestie of late, to the greate reioysyng of all men, did preferre to the office of maister of the Rolles.”

I certainly promise not to write this review in Middle English but I thought I’d give you a taste of it.  And, no, I didn’t read the complete book in ME, I was able to get through about 1/5 of it and then changed to a modern English version.  And most happily, I might add.  The original Utopia was written in Latin in a fine emulation of Ciceronian Latin, yet More took it a step further in humour and playfulness.

Sir Thomas More, Lord Chancellor
Hans Holbein the Younger
source Wikipedia

Born in London in 1478, Thomas More was a very learned man and, if he had been able to follow his inclinations, would have been destined for the church.  His father, however, had other aspirations for him and, being a dutiful son, he conceded to his wishes and chose the law as his profession.  Unexpectedly, he was a marvellous success as a lawyer.  He soon had a thriving business and his extraordinary aptitude quickly brought him under scrutiny of the “higher-ups”. The political positions he was eventually offered were always accepted reluctantly, and More had a life-long dilemma with reconciling his loyalty to his sovereign and his loyalty as a Christian to his conscience.

As a Catholic, More opposed the Protestant Reformation.  Serving as Lord Chancellor under King Henry VIII, he was accused of inflicting harsh treatment on heretics, but he denied the accusations.  What is interesting is that his son-in-law at the time, was enticed by “Lutheran heresies”, and More’s reaction when speaking with his daughter, was surprisingly temperate: “Meg, I have borne a long time with thy husband.  I have reasoned and argued a long time with him and still given him my poor fatherly counsel; but I perceive none of all this can call him home again.  And, therefore, Meg, I will no longer dispute with him, not yet will I give him over; but I will go another way to work, and get me to God and pray for him.”

A man of honour and high standards, he would not even compromise for his family.  When one of his sons-in-law expected preferential treatment  because of More’s office, More stated, “If my father whom I dearly love were on one side and the devil, whom I sincerely hate, were on the other, the devil should have his rights.”

With King Henry VIII’s decision to divorce his queen, Catherine, More’s power began to unravel.  While remaining quiet publicly, he continued to support the Pope over the King, and when he was required to sign a letter asking the Pope to annul the marriage, More refused.  Henry soon began to isolate him. Eventually when More openly refused to acknowledge the annulment, Henry took action, arresting More for treason.  He was decapitated on July 6, 1535. When the Holy Roman Emperor, Charles V, heard of his death, he said, “Well, this we will say, if we had been the master of such a servant, we would rather have lost the best city of our dominions than have lost such a counsellor.”

Map: This picture was taken from
 one of the first editions of the book,
which is published online at the 
Bibliotheca Augustana

Probably inspired by his close friend, Desiderius Erasmus, Thomas More wrote Utopia in 1516 during an embassy to the Netherlands.  A very brief book, yet with a complex structure, More used himself and a character called Raphael Hythloday to present political philosophies that range from the insightful and wise, to the curiously peculiar.  In Book I, More crafts the setting for Utopia and then, through his character and Hythloday’s, offers a discourse on the evils and ills prevalent in European society.  While having a parallel set-up to Plato’s Republic (Morton = Cephalus; Hythlodaye = Socrates; lawyer = Thrasymachus), More adopts occurrences from his own day to structure the framework of Utopia and construct a more politically and socially organized text.   More uses this venue to chastize the actions of kings who use the country’s money for unproductive warmongering, and especially vilifies the practice of hanging thieves on the gallows, often for very petty infractions.  In Book II, More offers a detailed description of Utopia, its inhabitants and its societal structure. The Utopian community supports common property, slavery and religious tolerance.  Agriculture is the most treasured occupation but each Utopian is required to learn some other trade as well.  Finery is frowned upon, pre-marital sex and adultery punishable, and while atheists are allowed in Utopia, they are shunned because their views are counter-productive to the Utopian community.

More & Hythloday discuss Utopia
source

Scholars are still in disagreement as to More’s purpose when writing this book. On one hand, some purport that More’s intent was to write and endorse a treatise on communism and its implementation.   Others scholars differ in opinion; while the book had a basis in the condition of European politics, it was nevertheless written tongue-in-cheek.  Brewer in his Reign of Henry VIII, appears to support this view:

“Though the Utopia was not to be literally followed —- was no more than an abstraction at which no one would have laughed more heartily than More himself, if interpreted too strictly.  Utopia might serve to show a corrupt Christendom what good could be effected by the natural instincts of men, when following the dictates of natural prudence and justice.  If kings could never be elective in Europe, Utopia might show the advantage to a nation where kings were responsible to some other will than their own.  If property could never be common, Utopia might teach men how great was the benefit to society, when the state regarded itself as created for the wellbeing of all, and not of a class of a favoured few …….”

C.S. Lewis, a medieval and renaissance scholar, takes More’s book as a light holiday work, and this summation rings true, as More make some comments himself that were obscure, but appeared to poke fun at his work.  Lewis states:

 “….. it appears confused only so long as we are trying to get out of it what it never intended to give.  It becomes intelligible and delightful as soon as we take it for what it is —- a holiday work, a spontaneous overflow of intellectual high spirits, a revel of debate, paradox, comedy and (above all) of invention, which starts many hare and kills none …..  There is a thread of serious thought funning through it, an abundance of daring suggestions, several back-handed blows at European institutions …….  But he does not keep our noses to the grindstone.  He says many things for the fun of them, surrendering himself to the sheer pleasure of imagined geography, imagined language, and imagined institutions.  That is what readers whose interests are rigidly political do not understand: but everyone who has ever made an imaginary map responds at once.”

If we take into account some of the regional names in this work, the purpose may become clearer still.  “Utopia” literally means, “no place”; “Achoria” means “Nolandia”; “Polyleritae” means “Muchnonsense”; “Macarenses” means “Happiland”; and the river “Anydrus” means “Nowater”.  Even Raphael’s last name, Hythlodaeus, translates as “dispenser of nonense”.  Was More being ironic or serious?  I doubt we can ever know for sure.

In spite of the obscurity of the book and some of the controversies surrounding More, I loved both the author and this work.  He appeared to treat both his wives well, quite clearly loved his children, was well thought of and respected, and in spite of his position, chose to write a story that not only amused his readers, but allowed them to explore human nature and come to their own conclusions with regard to universal issues.  Thomas More is a man to be admired and Utopia is certainly a book to be read!

  • translated by Clarence H. Miller (English translation)
  • also Oxford Press “student” edition edited by J. Churton Collins (Middle English translation)

Further reading:  

Richard II by William Shakespeare

” For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings ….”

Why do they call this play a “history”?  It was an absolutely tragedy …. gut-wrenchingly tragic, and I still feel depressed about the outcome.  Dare I say this is my favourite Shakespearean play so far?  Isn’t that weird?  An historical play about a king of whom I knew little about ……..  Yet Shakespeare’s verse is astonishingly beautiful.  The words flow around you like a bubbling river, conveying the anguish, terror, loss, loyalty, courage, deception, abandonment and hopelessness.  Not only is the play alive, but the story is alive and the words have a life of their own.

Richard II, King of England
portrait at Westminster Abbey (mid-1390s)
source Wikipedia

The play begins with a dispute between Henry Bullingbrook (Bolingbroke), cousin to King Richard, and Thomas Mowbray, Bullingbrook accusing Mowbray of misappropriating money and claiming that he was part of the murder of the Duke of Gloucester (which was probably orchestrated by Richard), yet before either can accomplish a duel, King Richard decides to banish both, Bullingbrook for 6 years and Mowbray for the term of his life.  John of Gaunt, is broken hearted at the exile of his son, Bullingbrook, and soon becomes sick with grief.  Upon Gaunt’s death, Richard decides to expropriate his estates and money, thereby defrauding Bullingbrook of his inheritance.  As Richard leaves to deal with the wars in Ireland, Bullingbrook gathers supporters and lands in England for the purpose, it appears, of regaining what is rightfully his.  Because Richard has taxed his subjects without remiss, and has fined the nobility for errors of their ancestors, most of the nobles rise up against him.

John of Gaunt
father of Henry IV
source Wikipedia

When Richard returns to England he is left with a small contingent of supporters including his cousin Aumerle, the Duke of York’s son, and lords Salisbury and Berkeley and other retainers.  Upon meeting with Bullingbrook, Richard relinquishes the throne to him, and Bullingbrook wastes no time in appointing himself King Henry IV.  Immediately, Richard is placed in prison.  When an uprising by Aumerle is discovered by his father and vehemently exposed, Aumerle is graciously pardoned by Henry IV, yet with dire threats towards the other conspirators.  In prison, Richard attacks his warden in frustration and is killed by Exton; when Henry hears about the murder, he is distressed and the play ends with his sad lament.

When I finished this play, I was so anguished by Richard’s sad end and how he’d been treated, yet reading some pre-history would have perhaps measured my emotions, as the good king was not entirely as innocent as he is made out.  Richard inherited the title of king when he was 10 years old and spent many years of his reign under the control of counsellors and advisors.  It wasn’t until later on, that he appeared to throw off their power and come into his own.  However, the fact that he taxed the populous to such extreme extents to finance his wars and royal coffers, contributed to the fact that he was not well loved or respected.  He was a king who ruled by impulse and without a justness that would have connected him to the people.  In fact, in the play, when he is walked through the streets, people dump garbage on his head, not a very fitting display for a monarch who truly believed that he was anointed by God.

Richard being taken into custody
by the Earl of Northumberland
source Wikipedia

Another consideration is that Shakespeare is writing drama.  He is known for taking the framework of history and then chopping and changing and perhaps, speculating for dramatic and political effect.   It is interesting that at the end of the play, Richard is seen as a pitiful figure who has voluntarily given up his kingship, and Bullingbrook condemns his murder, leaving the new king innocent of the crime and helpless to stop its culmination.  A very safe and uncontroversial tact on both sides for our playwright!

My favourite speech of Richard’s pulses with foresight, nostalgia and lament:

“For God’s sake let us sit upon the ground 
And tell sad stories of the death of kings:
How some have been deposed, some slain in war,
Some haunted by the ghosts they have deposed,
Some poisoned by their wives, some sleeping killed.
All murdered.  For within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be feared and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnible.  And humoured thus,
Comes at the last and with a little pin
Bores through his castle walls, and farewell king!”

As Richard begins to realize the possible outcome of the circumstances and tries to reconcile them with his belief that a king is sanctioned by God, we see his syntax begin to break down, with his pronouns of “we”, being reduced to “I”.  It is truly pitiful.

Richard II
Anonymous impress from the 16th century
source Wikipedia

On a political note, this play was used to stir up populous support for Robert, earl of Essex, Queen Elizabeth I’s one-time favourite, during his rebellion against her.  On the eve of the uprising, his supporters paid for the play, Richard II, to be performed at the Globe Theatre, but Essex’s attempt to raise a coup against her failed. Retaliation was swift, however.  On February 25, 1601, Essex faced his execution and was beheaded on the Tower Green.  His was the last beheading at the Tower of London.

This was another wonderful experience with one of Shakespeare’s historical plays.  I had expected to like them least in the canon, but they are certainly quickly becoming by far my favourites!

Watched:  The Hollow Crown:  Richard II

PRIDE AND PREJUDICE by Jane Austen

Pride and Prejudice Jane AustenPride and Prejudice: “It is a truth universally acknowledged, that a singe man in possession of a good fortune, must be in want of a wife.”

And with those familiar opening lines, so begins Jane Austen’s popular and beloved novel, Pride and Prejudice.

In Austen’s England, a husband is chosen based on pedigree and wealth, but Elizabeth Bennet has other ideas.  She wants a husband she can love and respect, however, upon meeting Mr. Darcy, she is convinced he is the most prideful and smug man in the country, a man she could never marry.  Darcy’s pride stings Elizabeth’s quick temper, but through a number of circumstances she begins to realize that pride is a device he uses as befits his station, yet his true character is much more complex and meritorious than she had first realized.  After a number of enlightening meetings and finally, when he rescues the reputation of her youngest sister, Elizabeth realizes that love has blossomed among these circumstances and that she has found someone truly her equal in both understanding and temper.

The contrast between the unwise/unhappy marriages of the Bennets, the Collins and the Wickhams are contrasted with the happy marriages of the Darcys and the Bingleys, where mutual respect and independent thought flourishes.  Marriage is the main theme and Austen appears to be saying that while prestige and money are beneficial (Darcy has both of these in abundance), the character of a potential spouse is infinitely more important!

I have read this book a number of times and love it even more each read.  A true classic!

Other Austen novel reviews:

Emma

Sense and Sensibility

Northanger Abbey

Persuasion