Top Ten Book on My Spring TBR

It’s been awhile since I participated in a Top Ten Tuesday post and this particular Tuesday, the topic caught my eye.  I started off 2016 with a bang, but since the year is progressing, I’ve lost some of my reading focus.  A post like this will be a good motivator to pull it all together and target my important reads.

Still Life Vase with Flowers (1881)
Paul Gauguin
source Wikiart

I have a number of challenges and read-alongs going on, including my Shakespeare challenge, my Greek challenge, my Reading England challenge, Back to the Classics, etc., along with a group read of The Faerie Queene motivated by O at Behold the Stars, my read of The Lord of the Rings with Cirtnecce of Mockingbirds, Looking Glasses and Prejudices, and I know not what (that last phrase is good to use when your head is going to explode with the possibilities! 😉  ).  Will my list be longer than 10 books?  Let’s find out!

1.

The Faerie Queene:  The whole complete unabridged poem (although I liked the above book cover best).  I’m terrified and also kind of excited.
2.    
The Pickwick Papers:  For the Behold the Stars read-along in publication order.  A very unique and illuminating experience to read Dickens as his first readers would have read his works ….. spanning about a year and a half!
3.   
The Histories by Herodotus:  I’ve place it at the top of the list because I’m determined to get to it sometime this year, and I’d like to start it soon.  Hopefully, the fact that I’ve been looking at it for the last month without reading it, isn’t a dire premonition!
4.   
To Kill A Mockingbird:  I’m reading this with one of my Goodreads groups.  I haven’t read it since high school and it’s on my Classics Club list, so I’m looking forward to it.
5.   
Sophocles:  I should be finishing up the plays of Aeschylus soon and then I’ll begin on those by Sophocles.  I’ve read his Theban Plays twice already and can’t wait to re-visit them, but I’m also looking forward to reading the rest of his works.
6.   
Twelfth Night:  This play is being performed at our local university, so I thought I should support locally, read a book for a challenge, and make another attempt at this play.  I’ve read it twice already and wasn’t enthused, but perhaps the third time will be a charm. 
7.   
My Father’s Dragon:  This is such a great book!  If you haven’t read it, I guarantee you’ll love it.  I’m adding it for Amanda @ Simpler Pastimes’ Children’s Literature Event in April.
8.   
Emil and the Detectives:  Another book for Amanda’s event.
9.   
The Cloud of Unknowing:  I’m trying to get through this one.  Very mystical, which normally I like, but this time I’m not connecting.  Perhaps it has to do with the fact that the anonymous author at the beginning of the book says it is not to be read by anyone but a contemplative.  And I didn’t listen to the warning! :-Z
10.   
Framley Parsonage:  Oh my goodness, do I owe an enormous apology to Trollope!  Do you know how many years ago I started to read through his Barsetshire Chronicles? Two!  Do you know how many books I’ve managed to read?  Three!  It’s pitiful, especially considering that I really have enjoyed each book.  Sigh!  I just don’t know why I have no desire to pick the next one up.  In any case, I got this book for my latest Classics Club Spin and Cirtnecce has kindly offered to read-along with me.  Do you think with a Spin hanging over my head and a blogging friend to hold my hand, that I can get it finished?  We’ll see …….

Spenser’s Images of Life by C.S. Lewis

Normally, I don’t read introductions or commentaries on books or poetry that I plan to read, until after I’ve finished the work.  I prefer to experience the art from a point of innocence (or perhaps, ignorance is a better word!), forming my own opinions without influence, even if I struggle with my first read through. However, this time I threw all my ideals to the winds and called for help.

In April I’m reading The Faerie Queene with OCirtnecce, JeanRuth, and Consoled Reader, and considering the length and complexity of this poem, I confess that it was wiser to admit my complete ineptitude and look for someone who was very familiar with this type of poem and era to give me a little boost.  Since C.S. Lewis’ expertise was in Medieval and Renaissance literature, I suspected that he would be a good place to start.  His book, Spenser’s Images of Life is a compilation of lectures notes, put together by Alastair Fowler, to give students a deeper insight into The Faerie Queene.

I’m not going to even pretend that I understood half of what Lewis was saying in these lectures/notes, but my lack of understanding emphasizes one of the many things that I respect about the man.  He is able to turn on his intellect and produce a brilliantly insightful and stimulating analysis of perhaps the most complex poem in the English language, yet he is also able to let his intellect “idle” and write children’s stories, sci-fi fiction or even a layman-type book such as Mere Christianity.  With Spenser’s Images of Life, I had to read it slowly and let it percolate.

A Beast (1456)
Paolo Uccello
source Wikimedia Commons

Lewis begins by stating that The Faerie Queene is the most difficult poem in the English language, a rather daunting claim for me, as I’m going to be reading it in just over a month.  He claims that the poem works on a number of levels and the mistake readers can make is reading it from only one perspective and thinking that is all it has to offer.  The simple aspect of the poem is that it’s a moral allegory, in that the story contains a moral, but the poem is more than a narrative, containing images that work on the mind.  We must not only read, but see the work.

Lewis believes that Spenser, like Botticelli, accepts “traditional images, he loads them with wisdom from the philosophers and disposes them in divine compositions ……… with a propensity of mingling the Christian and the pagan.”  Those of Spenser’s tradition would have regarded ancient poetry as a type of veiled theology, and the mixing of the worlds would not have seemed strange to them.  In fact, Lewis believes that “Spenser’s Nature is really an image of God himself.”

Lewis goes into detail about certain aspects of the poem, covering the following topics:

  1. The False Cupid
  2. Antitypes to the False Cupid
  3. Belphoebe, Amoret, and the Garden of Adonis
  4. The Image of Evil
  5. Mutability
  6. The Image of Good
  7. Britomart’s Dream
  8. Faceless Knights
  9. The Misery of Florimell
  10. The Story of Arthur

Heraldic Chivalry
Alphonse Mucha
source Wikiart

The last chapter is particularly interesting as Lewis examines Spenser’s letter to Raleigh about The Faerie Queene and, quite expertly, “prosecutes” his meaning, declaring that most of what he wrote is not supported by the poem itself.  Many of Lewis’ arguments make good sense.  He proposes that Spenser was not entirely aware of the depths of his own brooding and birth of the poem, that came from his experience with philosophers, poets and iconographers.  He also suspects that Spenser might have written the letter with someone at his elbow, massaging his words to make the poem fit classical (and possibly political) expectation.

In any case, this book was helpful as an introduction to the poem, but it will also be handy to read The Faerie Queene with it in hand.  Lewis’ points must be better understood in the context and framework of an already developing story, allegory or image.  As to what our expectations with regard to the poem should be, Lewis has a very straightforward answer:

“We should expect, then, from Spenser’s poem, a simply fairy-tale pleasure sophisticated by polyphonic technique, a simple ‘moral’ sophisticated by a learned iconography.  Moreover, we should expect to find all of these reacting on one another, to produce a work very different from what we are used to.  And now it is time to catch hold of one thread of the fabric, and pull…….”



Metamorphoses ~ Book X

Book X

Orpheus and Eurydice / Cyparissus / Orpheus’ Prologue / Ganymede / Hyacinthus / The Cerastes / The Propoetides Pygmalion / Myrrha & Cinyras / The Birth of Adonis / Venus and Adonis / Atalanta & Hippomenes / The Fate of Adonis


Orpheus & Eurydice (1864)
Frederic Leighton
source Wikiart

Hymen did not bless the wedding of Orpheus, and what a mess! (I’m losing my narrative tone, aren’t I?) His bride, Eurydice, while crossing the meadow with her Naiad friends, stepped on a viper and died.  After his weeping ceased, he travelled to the Underworld to seek his cherished wife.  Playing sweetly on his lyre, he begged the gods to restore her to life, and so beautiful his song that even the bloodless shades shed tears and the Furies wept. By his skill and love, Orpheus won his wife back, but was warned as he was leading her out, to only look straight ahead or she would be reclaimed by the dead.  Nearly in the upper world, Orpheus could not resist looking at her, and as his eyes fell upon her, he watched her sink back into the abyss.  Frantic, he ranged the banks of the Styx like a shade, then finally left the Underworld.

Three years went by and Orpheus, in his grief, shunned the love of women.  He spent days playing his lyre, and playing it so sweetly that even the trees came to listen.  We learn of a youth, Cyparissus, who had a stag he treated almost like a pet.  Tragically, one day his javelin accidently pierced the stag, killing it, and Cyparissus was so distraught that he begged the gods to let him grieve forever.  In response, they transformed him into a cypress tree.

Cyparissus (c1670-77)
Jacopo Vignali
source Wikimedia Commons

Opheus now goes into a prologue, plucking his lyre and announcing that he will sing of “boys the gods have loved, and girls incited by unlawful lust and passions, who paid the penalty for their transgressions.”

Ganymede (1531-32)
Correggio
source Wikiart

Singing, Orpheus tells how the lusts of Jove raged for the Phrygian, Ganymede, so he transformed himself into a bird, “one with force enough to carry Jove’s thunderbolts,” and snatched up the Trojan boy.  Even now, Ganymede is a page for Jove, preparing nectar for him and filling his cups.

Phoebus Apollo loved Hyacinthus, a Spartan boy, and was his close comrade.  In competition, as Phoebus threw a discus, Hyacinthus recklessly rushed to pick it up, only to have it rebound with great force back into his face, killing him.  Phoebus, blaming himself, wished to die as well, but death was denied him so he claimed the boy would be a new flower on which his lament was inscribed: “Ajax” would be stamped on his petals.  With his own hand, he wrote “AI” and Sparta honours Hyacinthus each year with the Hyacinthus festival.

The Cerastes polluted the altar of Jove with the blood of guests, appalling Venus who made ready to leave Cyprus.  But thinking awhile of the dear sites and towns, she instead transformed them into savage bulls.

The Propoetides declared that Venus was not a goddess, and for their audacity, the girls, who were the first prostitutes, were transformed into hard stones.

Pygmalion & Galatea (c. 1890)
Jean-Leon Gerome
source Wikiart

Repulsed by the shameful acts of women, Pygmalion is determined not to take a wife, instead, carving a beautiful woman from a block of ivory.  Enchanted with his creation, he desires a wife like her, and Venus, understanding his prayers, answers.  This time when Pygmalion kisses the statue, as usual, he feels warm lips and flesh. After the wedding, his wife gives birth to Paphos and since, Cypress is called the Paphian isle.

The son of Paphos, Cinyras, would have found happiness where it not for his misfortune of having daughters.  Myrrha, loves her father in an unnatural way.  To subdue this perfidy, she attempts to hang herself but her nurse interrupts the deed and pledges her assistance.  During the feast honouring Ceres, they trick the king into sleeping with her, until he finally recognizes her, and drawing his sword attempts to kill her but, Myrrha flees.  Pregnant, she escapes “palm-rich Arabia and Panchaea’s lands” coming at last to the Sabaeans’ land where she prays to be denied both life and death.  At this prayer, she is metamorphised into a Myrrh tree.

Even though Myrrha is now a tree, her child is still ready to be born and Lucina, goddess of chidbirth, speak a spell and Adonis is born.  Set in a meadow by the Naiads, he is anointed with myrrh, his mother’s tears, and his beauty is unsurpassed.

The Awakening of Adonis (1899)
John William Waterhouse
source Wikiart


Adonis grows into manhood and as he grows, so does his beauty.  Venus, the goddess herself, is in love with him.  She is scratched by Cupid’s arrow and cannot suppress her desire for this mortal, and neglects all her duties, sinking into a pining admiration for him. She warns him against being reckless and about wild animals, then cuddling him on the grass, she tells him a story.

Atalanta (1908)
John William Godward
source Wikiart

Atalanta is a girl faster than the fastest of men.  The oracle instructs her to shun marriage and if she does not, she will remain alive but lose herself.  Terrified, she lives in the shadowy forest but suitors still seek her out so she devises a plan, telling all that she would marry the one who could best her in a footrace, but those who lost would surely die.  Hippomenes, at first scoffs at the contenders, but when he sees Atalanta’s splendid “form”, he too desires her for a wife.  Atalanta bests all the suitors, but Hippomenes challenges her to a one-on-one race.  Atalanta enjoys his attention and agrees, yet while they prepare for the race, Hippomenes prays to Venus who gives him three golden apples. During the race, he drops an apple at a time and Atalanta, drawn by their beauty, swerves to pick them up.  With the first two apples, she is able to catch up but with the last apple’s distraction, Hippomenes is able to win the race and his bride.  Stupidly, the hero forgets to thank his benefactress, Venus, who causes him to have an overwhelming desire for his wife near a shrine and they defile it with their lovemaking, causing the goddess Cybele to change them into two lions.  The story is a warning to Adonis to avoid wild beasts, and Venus sails away in her chariot.

Adonis youthful ignorance supersedes all warnings and he hunts the wild boar, wounding the animal but not killing it.  The boar turns on him, impaling him in the groin (ouch!) and his life ebbs away.  Venus, hearing his groans, rushes to him but he is dead. She transforms the blood of the young man into the Anenome flower, a flower that is brilliantly beautiful but quickly fades to death.

Venus Weeping Over Adonis (c. 1625)
Nicolas Poussin
source Wikiart
Metamorphoses
Man frightened by Cerebus  ❥  stone
Olenus & Lethaea  ❥  two rocks on Ida
Attis  ❥  pine tree
Cyparissus  ❥  cypress tree
Jove  ❥  bird
Hyacinth’s blood  ❥  flower
The Cerastes  ❥  savage bulls
The Propoetides  ❥  hard stones
Ivory woman  ❥  real woman
Myrrha  ❥  myrrh tree
Hippomenes & Atalanta  ❥  lions
Adonis’ blood  ❥  Anemone flower

Classics Club Spin # 12 ……….. And The Winner Is ……………

 Number 8

Well, this was a very good choice for me.  I’ve been trying to read through Anthony Trollope’s The Barsetshire Chronicles for about two years, and am at the halfway point. Number 8 for me is Framley Parsonage, book number 4 in the series.

For some reason, I’ve had a Trollope-block in the last year, and I really needed a push, so perhaps this is it.  Now I just need to buckle down and read!

The Classic Children’s Literature Event IV

Amanda at Simpler Pastimes has hosted a Classic Children’s Literature event every year for the past three, and as April rolls around it’s time to pull out any classic children’s book and read, read read!

I have had no time to really target the specific books I’m going to read, but I do have a few in mind.

  • A Triumph for Flavius – Caroline Dale Snedecker
  • Three Greek Children – Alfred J. Church
  • All Alone – Claire Huchet Bishop
  • My Father’s Dragon – Ruth Stiles Gannet
  • Blue Willow – Dorothy Gates
  • When Hilter Stole Pink Rabbit – Judith Kerr
  • Carry On, Mr. Bowditch – Jean Lee Latham
  • Number the Stars – Lois Lowry
  • With Pipe and Paddle Song – Elizabeth Yates
  • The Sprig of Broom – Barbara Willard    
The read-along for the event will be Emil and the Detectives by Erich Kastner, which I have had on my shelves for ages, but haven’t read yet.
So come one, come all, to read some children’s literature with us as a pleasant introduction to the spring season.  Just pop over to Amanda’s blog to sign up.

Classics Club Spin #12

I really wasn’t certain whether I wanted to participate in the new Classics Club spin.  My last spin was a fail; I read the first essay of God in the Dock and then realized that I wouldn’t do it justice with a quick read and a quicker post, so away it went back onto the list for when I have more time. However, I did read Cirtnecce’s spin book, The Time Machine, so all was not lost.  At the moment though, I have so many reads going that adding another book just didn’t appeal to me ………….  Until I told myself that I am trying to concentrate on paring down my Classics Club list this year, and gave myself the permission to tweak the spin list a little.  I hope something good comes of it.  If I don’t succeed with this spin, it will be my third fail, or almost fail,  in a row and my self-esteem just couldn’t take it.  😉  

The Rules for the spin are:
  1. Go to your blog.
  2. Pick twenty books that you’ve got left to read from your Classics Club list.
  3. Post that list, numbered 1 – 20, on your blog by next Monday.
  4. Monday morning, we’ll announce a number from 1 – 20.  Go to the list of twenty books you posted and select the book that corresponds to the number we announce.
  5. The challenge is to read that book by May 2nd.


I used the random list organizer here to choose the 20 books from my master list.  Then I tweaked them, so my list ended up looking like this:
  1. Richard III (1592) – William Shakespeare
  2. Villette (1853) – Charlotte Brönte 
  3. The Robe (1942) – Lloyd C. Douglas 
  4. Twenty Years After (1845) – Alexandre Dumas
  5. The Histories (450-420 B.C.) – Herodotus
  6. Metamorphoses (8) – Ovid
  7. Dead Souls (1842) – Nikolai Gogol 
  8. Framely Parsonage (1860 – 1861) – Anthony Trollope
  9. Gargantua and Pantagruel (1532 – 1564) – François Rabelais 
  10. The Faerie Queene (1590-96) – Edmund Spenser
  11. The Republic (380 B.C.) – Plato 
  12. Huckleberry Finn (1884) – Mark Twain
  13. Henry V (1599) – William Shakespeare
  14. A Doll’s House (1879) – Henrik Ibsen
  15. The Waves (or other) 1931) – Virginia Woolf 
  16. Bondage of the Will (1525) – Martin Luther
  17. Tevye the Dairyman and Motl the Cantor’s Son (1894) – Sholem Aleichem
  18. The Hunchback of Notre Dame (1831) – Victor Hugo 
  19. Fear and Trembling (1843) – Soren Kierkegaard
  20. The Pilgrim’s Progress (1678) – John Bunyan
Since I’ve completely manipulated my list (well, not completely ….. I changed out about 6 books)  I don’t really have any that I’m dreading.  All the ones I’d dread, such as Metamorphoses, The Faerie Queene and The Histories, I’m already reading or have plans to read, so I’m really fine with anything on the list.  I will admit to removing Augustine’s City of God; I’d love to read it but my time is so limited that if it was chosen, I’d be breathing in a paper bag. 😉

As for books that I’m anticipating with eagerness …..  I will say Metamorphoses because I’m already more than half way through!  How’s that for manipulation?

Oh Muse, sing of my spin choice ……….

Metamorphoses ~ Book IX

Book IX

Achelous & Hercules / Hercules, Deianira, Nessus / Hercules & Deianira / Alcmena / Dryope / Iolaus / Byblis & Caunus Iphis & Ianthe

Hercules and Achelous
Cornelius van Haarlem
source Wikimedia Commons

Achelous relates how he lost his horn in a fight with Hercules when they both contended for the hand of Deianira.  First he had attempted to persuade the girl’s father by disparaging Hercules, but Hercules discounted words, instead wanting to fight.  Finally overpowered, Achelous first attempted to transform himself into a snake and then a bull, but his enemy tore off his horn, which the Naiads took and filled with fruit and flowers, now called a sacred Cornucopia.  Sophocles’ play, The Women on Trachis, recalls this battle between Achelous and Hercules.


While Hercules was journeying back to Tiryns with his bride, Deianira, a rushing river stopped their path.  Nessus, a centaur, offered to take the lovely bride safely to the other shore, while Hercules swam over.  Once on the other side, Hercules hears cries and sees that the centaur is attempting to kidnap the girl.  Yelling threats, he threaded his bow and shot the arrow which hit the centaur in the spine coming out on the other side.  Knowing that Hercules had dipped the arrow in the venom of the Hydra, as life ebbed from him, Nessus gave his envenomed, blood-soaked tunic to Deianira, promising that it would kindle the love of Hercules.  

Nessus kidnaps Deianeira (c. 1600)
Hans Rottenhammer
source Wikimedia Commons

Juno hated Hercules for his mighty deeds and while he was away, she had Rumor go to his loving wife, whispering lies of his love of Iole.  Deianira, being a sister of Meleager (I thought they were all turned into guinea hens – see Book VIII), devises a plan of revenge: to cut the throat of her rival, but meanwhile, she will send Hercules the tunic of Nessus to rekindle his love.  As he wears it, the venom courses through Hercules’ body, bringing searing pain, but when he tries to take it off, he tears his flesh with it.  Before he perishes in agony, he hurls his attendant, Lichas, into the sea, blaming him for bringing the gift and the man becomes a stone in the Euboean Sea.  The gods are dismayed at what will happen to the earth’s defender and Jove decides to deify him,  riding down in his chariot to cloak him in a cloud and then place him in the sky.

Birth of Heracles
Jean Jacques François de Barbier
source Wikipedia

Because of his father’s wishes, Hyllus, the son of Hercules, wed Iole who is now pregnant. Hercules’ mother, Alcmena gives the girl advice and tells her of her own birth pangs.  Cruel Juno, angry at Jove’s impregnating Alcmena, sits outside, crosses her legs and her fingers to block the birth.  But Galanthis, the servant girl, cleverly recognizes the goddess and announces that Alcmena has given birth.  Juno is astounded, leap up and with the unlinking of her knees and fingers, the knot was undone and Alcmena finally gave birth.  Yet Galanthis makes the mistake of jeering at Juno who turns her into a weasel.

Iole tells of her half-sister, Dryope, who was raped by Delphi’s deity (Phoebus), nevertheless Andraemon happily married her.  One day, as she was walking with her infant son and Iole, she picked the purple blossoms of a lotus, which dripped blood with her plucking.  The lotus was a nymph who had transformed herself after being chased by Priapus, but from Dryope’s innocent carnage, the lotus begins to transform her as well.  Sister, husband and father, all rush to the scene just in time to hear Dryope’s final plea for her son to visit and know her, then she gives the boy a final kiss before her lips are sealed forever.

Iolaus appears in the doorway, this nephew of Hercules having his youth restored by his uncle’s request to Hebe, the wife he married when he was placed in the sky.  Hebe wishes never to perform the task again, but her vow is stopped by Themis, the prophetess, telling of many times this similar event would take place in different ways. Even the gods wish for such favours for their favourites but through examples of Minos, Rhadamanthus and Aeacus, Jove demonstrates all are not so blessed and the deities settle down.

Old Minos is concerned about an overthrow by young Miletus, but Miletus sails away and starts his own city at the mouth of the Meander.  He finds a Cyanee, is lured by her body and she gives birth to twins, Byblis and Caunus.  Byblis develops an unsisterly love for Caunus, pining for him with a startling intensity.  Finally, she sends him a letter confessing her love, which he receives with a burgeoning rage.  He escapes, leaving the land and her obscene love, but she follows him in a frenzy of passionate despair, travelling all over until completely insane, she collapses, her tears transforming her into a fountain.

Byblis turning into a spring (1866)
Jean-Jacques Henner
source Wikimedia Commons

In Phaestus, Crete, there lived a freeborn man called Ligdus with a pregnant wife, Telethusa.  He wishes only two things for his “dear” wife (please, sense the beginning of sarcasm here):  that she suffers little pain in childbirth and that the child may be a boy, because if it turns out to be a girl, he will put her to death.  Both distraught over his decision, as Telethusa is about to give birth she sees the (Egyptian) gods, Anubis, Bubastis, Apis, Osiris’ son, Isis, Osiris, and the Egyptian snake who tell her to let the child live.  So Telethusa is able to fool everyone into thinking that the child is a boy, and thirteen years later the boy, Iphis (really a girl), is betrothed to the lovely Ianthe.  Now Iphis actually longs for Ianthe, but is distraught over her sex, thinking that nothing can come of the union.  The girl prays to Isis, and behold!  On the day of the marriage Iphis is transformed into a young man and gets his/her desire.

❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈

I must say that in spite of the distastefulness of some of these tales, Ovid has outdone himself.  His metamorphoses are not just simply humans changing to bulls, birds and whatnot, but a broader transformation of gender, alliances, and even unnatural love.

Metamorphoses
Lichas ❥  hard stone
Hercules  ❥  a god
Galanthis  ❥  weasel
Nymph  ❥  lotus
Dryope  ❥  lotus tree
Iolaus  ❥  youth
Boys  ❥  men
Byblis  ❥  fountain
Iphis  ❥  young man


The Metamorphosis of the Lovers (1938)
Andre Masson
source Wikiart





The Pickwick Papers Read-Along ( A Long Read-Along! )

O at Behold the Stars is hosting a read-along of The Pickwick Papers beginning March 1, 2016.  Now, this is not just any read-along, but a read-along with a twist.  We are actually going to be reading along with the same serial publication schedule in which the book was published, which means that this read-along is going to take about a year and a half to finish.  Does that sound too long?  I challenge you to try it.  Not only will you get the real Pickwick Papers experience, it’s not too heavy of a commitment, so it won’t interfere very much with other reads.  I’ve also found it beneficial to read a bit of a book and then let it percolate in your mind; you can often get more out of it that way.  In any case, I’m really excited about this read-along!  Here’s the schedule:

I – March 2016 (chapters 1–2)
II – April 2016 (chapters 3–5)
III – May 2016 (chapters 6–8)
IV – June 2016 (chapters 9-11)
V – July 2016 (chapters 12–14)
VI – August 2016 (chapters 15–17)
VII – September 2016 (chapters 18–20)
VIII – October 2016 (chapters 21–23)
IX – November 2016 (chapters 24–26)
– December 2016 (chapters 27–29)
XI – January 2017 (chapters 30–32)
XII – February 2017 (chapters 33–34)
XIII – March 2017 (chapters 35–37)
XIV – April 2017 (chapters 38–40)
XV – June 2017 (chapters 41–43)
XVI – July 2017 (chapters 44–46)
XVII – August 2017 (chapters 47-49)
XVIII – September 2017 (chapters 50–52)
XIX – October 2017 (chapters 53–55)
XX – November 2017 (chapters 56–57)

So, if this read-along appeals to you, grab your Pickwick Papers and join us for a realistic reading experience!