The Faerie Queene in Poetry Month ~ Two Events!

As you’re probably aware from both my On Reading the Faerie Queene and Spenser’s Images of Life posts, I’m gearing up to read The Faerie Queene in late April.  But instead of sliding quietly into the read-along, I thought it might be nice to give it an official announcement!

O at Behold the Stars was the instigator of this event and Jean, Cirtnecce, RuthConsoled Reader and I quickly followed her lead.  We will be attempting to stick to this schedule:

April 25 – May 1st ~  Book I
May 2 – May 8th ~  Book II
May 9 – May 15th ~  Book III
May 16 – May 22nd ~  Book IV
May 23 – May 29th ~  Book V
May 30 – June 5th ~  Book VI
June 6 – June 12th ~  Mutability

Thanks to O for the prod, and to Jean’s husband for creating a rather awesome button! Anyone else who would like to join us is very welcome!  Reading this tome among friends will make it much less intimidating!

And, coincidentally corresponding with the above read, in April Hamlette from The Edge of the Precipice is going to be hosting a Poetry Month Celebration in honour of National Poetry Month.

We’ll be starting The Faerie Queene read-along near the end of the month, but I hope to be able to read a few more poems, at least one per week, for this event.  It’s a good chance to focus on that category for my Deal Me In Challenge.

So if either of these events interest you, I hope you’ll join us for a very busy April, and ring in the spring with poetry!

The Classic Children’s Literature Event IV

Amanda at Simpler Pastimes has hosted a Classic Children’s Literature event every year for the past three, and as April rolls around it’s time to pull out any classic children’s book and read, read read!

I have had no time to really target the specific books I’m going to read, but I do have a few in mind.

  • A Triumph for Flavius – Caroline Dale Snedecker
  • Three Greek Children – Alfred J. Church
  • All Alone – Claire Huchet Bishop
  • My Father’s Dragon – Ruth Stiles Gannet
  • Blue Willow – Dorothy Gates
  • When Hilter Stole Pink Rabbit – Judith Kerr
  • Carry On, Mr. Bowditch – Jean Lee Latham
  • Number the Stars – Lois Lowry
  • With Pipe and Paddle Song – Elizabeth Yates
  • The Sprig of Broom – Barbara Willard    
The read-along for the event will be Emil and the Detectives by Erich Kastner, which I have had on my shelves for ages, but haven’t read yet.
So come one, come all, to read some children’s literature with us as a pleasant introduction to the spring season.  Just pop over to Amanda’s blog to sign up.

The Pickwick Papers Read-Along ( A Long Read-Along! )

O at Behold the Stars is hosting a read-along of The Pickwick Papers beginning March 1, 2016.  Now, this is not just any read-along, but a read-along with a twist.  We are actually going to be reading along with the same serial publication schedule in which the book was published, which means that this read-along is going to take about a year and a half to finish.  Does that sound too long?  I challenge you to try it.  Not only will you get the real Pickwick Papers experience, it’s not too heavy of a commitment, so it won’t interfere very much with other reads.  I’ve also found it beneficial to read a bit of a book and then let it percolate in your mind; you can often get more out of it that way.  In any case, I’m really excited about this read-along!  Here’s the schedule:

I – March 2016 (chapters 1–2)
II – April 2016 (chapters 3–5)
III – May 2016 (chapters 6–8)
IV – June 2016 (chapters 9-11)
V – July 2016 (chapters 12–14)
VI – August 2016 (chapters 15–17)
VII – September 2016 (chapters 18–20)
VIII – October 2016 (chapters 21–23)
IX – November 2016 (chapters 24–26)
– December 2016 (chapters 27–29)
XI – January 2017 (chapters 30–32)
XII – February 2017 (chapters 33–34)
XIII – March 2017 (chapters 35–37)
XIV – April 2017 (chapters 38–40)
XV – June 2017 (chapters 41–43)
XVI – July 2017 (chapters 44–46)
XVII – August 2017 (chapters 47-49)
XVIII – September 2017 (chapters 50–52)
XIX – October 2017 (chapters 53–55)
XX – November 2017 (chapters 56–57)

So, if this read-along appeals to you, grab your Pickwick Papers and join us for a realistic reading experience!

Metamorphoses – Book VI

Book VI

Arachne / Niobe / Latona and the Lycian Peasants / Marsyas / Pelops / Tereus, Prochne, Philomela / Boreas and Orithyia

The Fable of Arachne or The Spinner (1656)
Diego Velazquez
source Wikiart

Minerva is quite pleased by the Muses’ story, but, wanting to punish someone herself, she finds Arachne, a girl of lowly birth raised up by the renown of her artistic weaving. Minerva, in the guise of an old woman, attempts to warn her of her pride, but Arachne shows complete contempt for the goddess, who reveals herself and accepts the girl’s spinning challenge. As a warning, Minvera weaves in the four corners of her cloth:  Thracians, Rhodope and Haemus, who took names from the gods and were turned into mountains; the Pygmaean queen who defeated Juno and was transformed into a crane; Antigone, daughter of the Trojan king, for being Jove’s consort was changed into a stork; and because of the boasting of their beauty, King Cinyras’ daughters were tranformed into the marble steps of Juno’s temple.  In what appears to be a forceful indictment against the gods, Arachne weaves into her cloth various scenes of the gods, representing deceptions, manipulations and transformations of humans.  Furious, Minerva strikes her; Arachne takes a nooses and hangs herself but in pity, Minerva allows her to live but in the form of a spider.

The Destruction of Niobe’s Children (1760)
Richard Wilson
source Wikiart

Theban Queen Niobe is a noblewoman and another who takes pride in her husband and children (see the story of Ino and Athamas in Book IV), scorning the deity Latona.  In retaliation, Latona sends her own children, Diana and Apollo, to kill Niobe’s sons through accidents, but still Niobe taunts the goddess.  On their brothers grave, the daughters of Niobe drop dead one by one, and even though she tries to shield the final daughter, she too succumbs. Infused with unbearable grief, Niobe turns to stone.

The people now fear and respect Latona more, and one person recalls how she was exiled by Juno, giving birth to her babies on Delos, then fleeing. Wandering through hot and scorched Lycia, Latona came to a pool and tried to drink but some Lycian peasants denied her pleas, even going so far as to muddy the water with their feet.  Wrathfully, Latona lifted her arms to heaven, turning the peasants into frogs that would live in the pool forever.

Marsyas Flawed by Apollo (1625)
Jacob Jordaens
source Wikiart

Another person remembers a Satyr, Marsyas, who contended with Latona’s son, Apollo, on the flute and lost.  In punishment, Apollo flayed all the skin from the Satyr’s body and, as he died, his friend’s tears mixed together to form a river called by the Satyr’s name, the clearest stream in Phrygia.

The Thebans turn back to mourning, blaming Niobe, but her brother, Pelops, weeps for her. He bares his ivory shoulder; when his father had cut him up in pieces, the gods gathered him together but, not finding the piece between his throat and where the arm began, they filled it with ivory.

Philomena and Procne
Elizabeth Jane Gardner
source Wikimedia Commons

Many regions were urged to send Thebes their comfort and compassion.  All comply, except for Athens who is fighting her own battle with barbarians.  Tereus from Thrace and his troops save Athens and king Pandion gives his daughter, Procne, to Tereus as his bride.  But neither Hymen nor the Graces grace the wedding and instead only the Furies are in attendance.  Tereus and Procne have a son named, Itys, and five years pass when one day, Procne begs her husband to bring her sister to visit.  Tereus sets sail for Athens but immediately upon seeing Philomena, is prey to a flaming desire for her.  Returning to Thrace, he takes her to a hut, rapes her and then cuts out her tongue so she cannot reveal his crime.  He then tells his wife that her sister is dead.  A prisoner for a year, finally Philomena weaves her terrible story into a cloth and sends it with a servingwoman to her sister.  Rage greater than lightening fills Procne, and during a Bacchanalian festival she rescues Philomena and they return to the castle.  When little Itys sees his mother and with joy calls out to her, the two women grab him, kill him and then dismember the child, feeding him to an unsuspecting Tereus.  When Philomena finally enters the room clutching her nephews head, Tereus is horrified.  Unsheathing his sword, he chases his wife and his sister-in-law, but Procne transforms into a swallow, Philomena, a nightingale, and Tereus himself into a hoopoe.

The daughter of king Erectheus (who succeeded Pandion), Orithyia, was desired by Boreas of Thrace but was rejected because of the crime of Tereus. In a snit, Boreas spreads his wings and sails to Athens, captures Orithyia and marries her.  In time, she gives birth to twin sons, Calais and Zetes, who will become part of the Argonauts.

Boreas (1903)
John William Waterhouse
source Wikiart

Okay, gross!  Just gross!  Ovid has outdone himself in his description of the dismembering of a six-year-old terrified child.  And for some reason I still get the feeling as if he’s just fooling around.

Twelve Olympians (1517-18)
Raphael
source Wikipedia

source
Metamorphoses
Thracians Rhodope & Haemus  ❥  mountains
Pygmaean queen  ❥  crane
Antigone  ❥  stork
King Cinyras’ daughters  ❥  temple’s marble steps
Arachne  ❥  spider
Niobe  ❥  stone
Lycian peasants  ❥  frogs
Tears  ❥  Marsyas river
Procne  ❥  swallow
Philomena  ❥  nightingale
Tereus  ❥  hoopoe

Metamorphoses – Book V

Book V

Perseus and Phineus / Proetus / Polydectes / Minerva, the Muses, Pegasus / Pyreneus / The Pierides / Typhoeus / Ceres & Prosperina / Arethusa & Alpheus / Triptolemus & Lycnus / The Pierides — Again


Perseus turns Phineus and his followers to stone (early 1680s)
 Luca Giordano
source Wikipedia

In the middle of the wedding feast, uproar rises and it is Phineus, the brother of King Cepheus, coming to revenge himself on Perseus for stealing his bride. Curiously King Cepheus chastises his brother for not saving his bride himself and says that he has given her to Perseus for his deeds.  Not certain whether to aim his shaft at the king or Perseus, Phineus chooses the latter, but Perseus hurls it back, killing Rhoetus, and the wedding feast turns into a brawl.  Perseus battles nearly everyone at the feast until he is backed against a pillar and his strength is beginning to ebb.  He holds up his old, trusty weapon, the head of Medusa, which turns his enemies to marble statues and his one friend, Aconteus, into stone.  Phineus repents, but too late, as he too is transformed into marble.

Perseus returns to Argos with his bride, Andromeda, but discovers that Proetus has driven out Perseus’ grandfather from the citadel, whereupon he relies on Medusa once more for victory.
Polydectes belittles Perseus’ worth and implies that his slaying of Medusa is merely a tale.  Of course, Perseus employs Medusa’s head, turning the dissident into petrified stone.

Minerva with the Muses (1640-45)
Jacques Stella
source Wikiart

Now Minerva departs from her brother, Perseus, and journeys to the Virgin Muses’ home, the land of Thebes and Helicon, where a wondrous spring had formed when Pegasus had hit the ground with his hoof. She proclaims these daughters of Mnemosyne blessed.

The Muses tell Minerva of a savage, cruel king, Pyreneus, who lured them into his home, then tried to rape them, however they escaped on wings of flight.  Enraged, he ran to the top of his tower and, claiming he could follow them, jumped to his death.

Barely had their words dissolved into the air, when nine magpies alight on branches nearby.  The Muses reveal that these had once been the daughters of Pierus, a rich lord of Pella, and they had lost a singing contest to the Muses. The Pierides sang a rather impious song of the gods changing into animals, and the Muse, Calliope, was chosen as their storyteller; they relate her song to Minerva.

Proserpine (1874)
Dante Gabriel Rossetti
source Wikiart

In the land of Sicily, Typhoeus lies underneath it.  Once a man, he was transformed into a volcano for daring to hope to receive heaven as his kingdom. Meanwhile,Venus decides that the daughter of Ceres, Prosperina (Persephone), is so intent on chastity, that it would weaken her rule over her, therefore she enlists Cupid to shoot Pluto with an arrow of love, and he becomes inflamed for the girl.  He kidnaps her whilst she picks white lilies and violets in the woods, escaping in his chariot like white light.  Cyane, a nymph in her pool, attempts to prevent the rape and, as Pluto strikes with his royal scepter, a crack opens in the earth, into which he disappears with his hostage-prize. Disconsolate, Cyane literally weeps herself into a pool of tears.

Ceres searches everywhere for her daughter, turning a rude boy into a newt during her travels, until eventually she reaches the pool of Cyane.  Seeing the girdle of her daughter floating there, she curses the earth, withdrawing its bountiful harvest, and famine infects the land.  Arethusa, a sacred spring, rises from the pool, pleading with Ceres to remove the curse, so Ceres petitions Zeus and it is agreed that Prosperina may return as long as she has not taken food.  But Ascalaphus has seen the maiden eat and for denouncing her, he is transformed into a screech owl. Aschelous’ daughters, who had been with Proserpina when she had been gathering flowers, after searching all lands for her are changed by the gods into golden birds with a girl’s features and voice. Zeus, trying to heal the breach between brother and sister decrees that Proserpine may spend six months with her husband and six with her mother.

Return of Persephone
Frederic Leighton
source Wikiart

Now Arethusa is asked by Ceres how she became a sacred spring:  one day while bathing in a pool, Alpheus, a river-god, calls to her and she flees. Taking on the form of a man, Alpheus pursues her and Arethusa, calling on Diana for help, is hidden in a cloud.  However, her fear is too great as Alpheus stalks around her and she sweats herself into a pool, whereupon Alpheus recognizes his prey and transforms back into his river form to join her.

Ceres departs in her chariot, landing in Athens and giving to Triptolemus both her chariot and seeds to scatter over many lands.  He makes a journey across Europe, landing in the Scythian kingdom where Lyncus is king.  The king, jealous of the boy’s means of travel, attempts to stab him, but Ceres transforms the king into a lynx, and Triptolemus escapes in the chariot.

And so with Calliope’s wonderful tales, the Nymphs wins the contest, and when insulted and jeered at by the Pierides, turn the nine sisters into insolent magpies.

❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈ ❈

The battle scene at the beginning of this book was so far from what I’d expect from a Greek battle that I still don’t know what to make of it.  The battles in the Iliad, while bloody and fierce, still held a type of dignity and honour; this brawl of Ovid’s is a free-for-all.  Perseus and his Medusa-head are almost becoming comical. Without it, he’d be quite a weak god.

More power-struggles and jealousy and competition and abductions.  Ovid’s “song” is certainly repetitive.

Ceres (Summer) – 1712
Antoine Watteau
Source Wikiart

Metamorphoses
Wedding feast  ❥  brawl
Enemies  ❥  marble and stone statues
Phineus  ❥  stone
Proteus & Polydectes  ❥  petrified stone
Typhoeus  ❥  volcano
Cyane  ❥  tears (water)
Rude boy  ❥  newt
Ascalaphus  ❥  screech owl
Achelous’ daughters  ❥  golden birds w/girl’s features & voice
Arethusa  ❥  sacred spring
Alpheus (man)  ❥ river ❥ man ❥ river
Lyncus, the Scythian king  ❥  lynx
Nine daughters of Pierus  ❥  magpies

Metamorphoses – Book III

Book III

Cadmus / Actaeon / Semele / Tiresias / Narcissus & Echo / Pentheus

Cadmus and Minerva (17th century)
Jacob Jordaens
source Wikimedia Commons

Agenor commands Cadmus to find his sister, Europa, yet while he wanders near and far, success eludes him, until the oracle of Apollo tells him to find a heifer who has never worn a yoke and there in Boeotia, he is to build his city, Thebes.  Cadmus kills a serpent and under Minerva’s orders, plants its teeth from which spring men, but warriors that, in their battle frenzy, kill each other until there are only five left: Echion and four others.  Together they build the walls of Thebes.

Cadmus’ first sorrow lay in his grandson, Actaeon, who when out hunting with his friends, came across Diana bathing in a pool, and for having viewed the sacred virgin, Actaeon is transformed into a stag by the goddess.  Yet the goddess is not satisfied with such a benign punishment, he is hunted by his own hunting dogs until,

“Upon all side, his hounds have hemmed him in;
they sink their muzzles into every limb —
the flesh of their own master in false guise
as stag.  Diana was not satisfied
until, so mangled, young Actaeon died …”

Thus, Juno’s rage against Europa, and all her blood, stemming from the house of Agenor, is assuaged.

Jove and Semele (1695)
Sebastiano Ricci
source Wikipedia

Juno learns that Cadmus’ daughter, Semele, is pregnant by Jove and, seeking revenge, she disguises herself as the girl’s nurse and counsels her to ask Jove to see him in all his powers. Unsuspecting, Semele makes this request of her lover and, unable to refuse her, she is killed by his bolts of light and turned to ash.  However, her unborn son, Bacchus, is rescued, sewen into the thigh of Jove and then given to Nysan nymphs upon his birth.

To settle an argument over whether men or women get more pleasure in love, Jove and Juno defer to Tiresias, who knew love as both genders (having been transformed by mating serpents to a woman and back again).  Furious at Tiresias siding with Jove, Juno steals away his sight, and Jove gives him the gift of prophecy for recompense.

Narcissus (1594-96)
Caravaggio
source Wikipedia

Asked by the river nymph, Liriope, if her son, Narcissus, would live to see a long life, Tiresias’ answer “Yes, if he never knows himself,” was a cryptic puzzle.  Yet the boy, loved by youths and girls alike, has a disdain for them all, including a nymph, named Echo, whom he spurns, and she wastes away until only her voice remains.  Finally, a youth prays to the gods that Narcissus receive the same treatment as they, and one day, as he sees his reflection in a pool, he immediately falls in love.

” … he is the seeker and 
the sought, the longed-for and the one who longs;
he is the arsonist — and is the scorched.”

He pines away, as had Echo, and eventually dies, but instead of a body, only a white-petalled flower with a yellow centre remains.

Bacchus (1596-97)
Caravaggio
source Wikipedia

Tiresias’ reputation grows but, Pentheus, Echion’s son, mocks Tiresias and his blindness, as he also scorns all the gods, especially refusing the rites of Bacchus.  The old man prophesies that Bacchus will soon come and if Pentheus does not accept him, he will be torn to pieces.

” ……………………. and then
you will complain that, in my blindness, I
saw far too well.”

Bacchus arrives and Pentheus is in a fury not even his grandfather, Cadmon, can assuage.  He captures a priest of Bacchus, Acoetes, who tells of his encounter with a young Bacchus on a ship, and of his god-like appearance.  When all the crew but Acoetes refused to take Bacchus to his destination, they were all turned into sea-monsters.  Enraged by the story, Pentheus finds the revellers on Mount Cithaeron, but tragically his mother is the first to see him.  Claiming that he is a boar, she incites her sisters to tear him to pieces, ripping off his head with her own hands.

Note:  Tiresias also dispenses his prophecies in Sophocles, Antigone, Oedipus the King, and in The Odyssey Book XI.

I’m noticing quite a bit of irony in this book: Cadmus’ warrior’s instead of killing an enemy, kill each other; Actaeon, the hunter, becomes the hunted; Semele is killed by the power/love of her lover, and in fact, unknowingly requests her own death; Narcissus rejects all, yet in the end also rejects himself; Tiresias’ knowledge causes his blindness; Pentheus, through rejecting sacred rites, becomes a sacrifice himself, and Pentheus’ mother kills her own son.  Ovid’s world is very bleak, and he ensures that we experience it to the fullest.

The Boy Bacchus (1615)
Guido Reni
source Wikiart

Metamorphoses

Viper’s Teeth ❥  New men
Actaeon  ❥  Stag
Semele  ❥  Ash
Echo = nymph w/voice ❥ nymph w/echo  ❥  echo
Narcissus alive  ❥  Narcissus dead  ❥ flower
Ship’s crew  ❥  Sea monsters

Metamorphoses – Book II

Book II

Phaeton / The Heliades / Cycnus / Phoebus / Callisto / Arcas The Raven / Coronis, the Raven, the Crow, Nyctimene / Ocyrohoe / Battus / Mercury, Herse, Aglauros / Europa & Jove

The Fall of Phaeton (c. 1604-05)
Peter Paul Ruebens
source Wikimedia Commons

Phaethon reaches the gorgeous palace of Phoebus, where his father confirms his birthright.  Arrogantly, Phaeton requests to drive his chariot, and sadly Phoebus concedes, giving instructions to his son for his safe journey. Thetis unbars the way for her grandson and the horses leap high in the air, but it’s as if they have no rider and control is lost.  Phaethon regrets his decision, yet is paralyzed and the chariot finally plunges down to earth destroying large swaths of it with fire.  The earth cries out and “the Almighty Father” (Jove) hurls a thunderbolt, unseating Phaeton, yet combatting fire with fire.  Phaeton, consumed by the fire, is buried by the river Po by the Naiads, while his father in grief buries his face and shuts out the sun for a day.  Clymene laments with her daughters, the Heliades, at her son’s grave, but her daughters metamorphosize into trees in spite of her attempts to save them.

Cycnus, a king of Liguria and a relative of Phaeton’s, goes to pay his respects and is transformed into a swan, a bird who does not trust to seek the sky because of Jove’s lightning bolts.

Jove then inspects the heavens and earth for damage from the fire, but spots a nymph, Callisto and, disguising himself as the goddess Diana before reappearing in his normal form, rapes her in spite of her frantic struggles. Diana discovers her shame and sends her away, and when Juno learns of Jove’s crime and of the son born to Callisto, Arcas, she transforms Callisto into a bear.  Later, Arcas encounters his mother and nearly kills her, but Jove intervenes, grabbing both and placing them in the sky as Ursa Major and Minor.

Plate 101 Raven
John James Audubon
source Wikiart

As Juno is enraged at the compliment given to Callisto, she travels to heaven in her chariot which is drawn by the peacocks who have recently changed hue.  We hear of another bird, Phoebus’ sacred bird, the Raven, who also gets his colour changed from white to black, as punishment for his talkative chatter. He refuses to listen to the Crow’s warning, whose feathers were transformed as he informed on the three daughters of the bi-form Cecrops, Pandrosos, Herse and Aglauros, when they looked into a basket and discovered a baby that had been formed by the seed of Vulcan, after he attempt to rape Minerva.  Minerva, however, turns him black for his snitching, and the poor crow relates that before this incident, he had been a princess, but was transformed into a crow while escaping from the sea-god who attempted to ravish her.  Yet now he is supplanted in the affections of Minerva by Nyctimene, the owl, oh woe is he!  The Raven, however, declines to heed the crow’s wise wisdom, and instead reveals to Apollo (Phoebus) that his love, Coronis had lain beside a Thessalian youth. Inflamed with hot fury, Apollo kills Coronis yet before she is burned, he snatches their unborn son, Aesculapius, from her womb and gives him to the centaur, Chiron, to raise.  The Raven, however, receives his due and is banished.  We learned of this same story in Chaucer’s The Manciple’s Tale.

The daughter of Chiron, Ocyrhoe, prophesies over Aesculapius, saying that he will become a great healer and god.  Her father’s immortality will also change to mortality, but as she speaks she is transfigured into the form of a horse with a new name, Hippe.

Landscape with Mercury and Battus (1618)
Jacob Pynas
source Wikimedia Commons

Meanwhile, bereft with grief, Phoebus is roaming the hills in the guise of a shepherd, but in his mourning over the fate of Coronis, his cows wander off and are hidden by Mercury.  Yet an old man named Battus witnesses the theft, but Mercury buys off his silence with a choice cow from the herd.  Battus promises a stone would give more information than he.  To test the old man’s resolve, Mercury disguises himself and returns asking for “his cows” and offering Battus a cow from the herd for information on the theft.  Battus reveals all and Mercury changes him into a stone (now called a touchstone or tellstone) in payment for his betrayal.

Mercury spots Herse, daughter of Cecrops, and is determined to possess her. He enlists the help of her sister, Aglauros, but Envy, spurred by Minerva, poisons Aglauros.  Infected with resentment of her sister’s happiness, she attempts to prevent Mercury from entering her bedroom, and he turns Aglauros into a statue.

Returning to heaven, Mercury is directed by Jove to drive the king Agenor’s cattle down to the shore, yet unbeknownst to him, Jove is planning the capture of the daughter of the king, Europa.  He disguises himself as a perfect white bull, entices the girl, and then rides away into the ocean with her on his back.

The Abductiion of Europa (1715)
Jean-François de Troy
source Wikipedia

Metamorphoses

The daughters of Clymene  ❥  Trees
Cycnus  ❥  Swan
Jove  ❥  Diana  ❥  Jove
Callisto  ❥  Bear  ❥  Ursa Major
Arcas  ❥  Ursa Minor
Raven:  White feathers  ❥  Black feathers
Princess  ❥  Crow: White feathers  ❥  Black feathers
Ocyrhoe’s Prophecy:  
Aesculapius  ❥   god  ❥  corpse  ❥  god
Immortal Chiron  ❥  Mortal Chiron
Phoebus  ❥  Shepherd
Battus  ❥ Stone
Aglauros  ❥ Statue
Jove  ❥  White Bull

Metamorphoses – Book I

“Sing, Ovid, to me of Metamorphoses, and breath all these stories into my mind as a remembrance of your fine craft” ……….  But since there are so many mythological stories in this book, and Metamorphoses is either referred to, or used as a basis for stories in so many other works of literature, I’ve decided to compile reasonably detailed posts.  My mind is certainly not going to hold such detail, so my blog will have to.

Book I

Prologue / The Creation / The Four Ages / The Giants / Lycaon / The Flood/ Deucalion & Pyrrha / Python / Apollo & Daphne / Io & Jove / Syrinx / Io & Jove / Phaeton

“My soul would sing of metamorphoses.
But since, o gods, you were the source of these
bodies becoming other bodies, breathe
your breath into my book of changes; may
the song I sing be seamless as its way
weaves from the world’s beginning to our day.”
Creation begins featureless and confused, both land and seas uninhabitable.  Opposites battle and there is chaos.  “A god” and nature come together to bring unity and organization to the world, and there are two possibilities as to the birth of man:

  1. He is created from a divine seed
  2. Prometheus made him from new-made earth and rainwater.  

To man, “he gave a face that is held high; he had man stand erect, his eyes upon the stars ….”

During the first or golden age, laws and punishment do not exist as all kept faith by righteousness. and man only needed to gather as the harvest was plentiful.

Saturn is banished and his son, Jove’s rule begins, starting the second or silver age.  Jove split the year into seasons, and the change of weather prompted men to build houses.  As the bullock groaned under their yokes we sense a decline in the ease of life.

The third bronze age begat more cruelty and battle, yet it was not sacrilegious.

The fourth and last age, the age of iron, began the foulest of all ages and “the earth saw the flight of faith and modesty and truth” and in their place sprang up wicked behaviour.  Instead of accepting the earth in an almost innocent way, only seeking to fulfill their basic needs, men instead began to seek beyond their needs to their wants, exploring and pursuing treasures which corrupted their simple faith.  The lust for gold and iron brought wars, and distrust and familial discontent and strife followed.
Jove must contend first with the Giants, who attempt to gain control of the sky, and then man who is now scattered all over the earth, doing what he will.  They are tainted and like a pestilence, and he longs to eradicate their infestation. Yet the other gods are worried; if Jove eradicates man, who will worship them, so Jove employs a new plan, enlisting different gods to create a flood and only two people survive:  Deucalion, the son of Prometheus, and his wife, Pyrrha.
Deucalion & Pyrrha (1635)
Giovanni Maria Bottalla
source Wikimedia Commons

Deucalion is overcome when he sees the devastation of the earth and decides to pray to the oracle but is told that they need to throw behind them the bones of the great mother.  Pyrrha is terrified that she needs to offend the Shade of her mother, but her husband says the great mother is earth and they need only throw stones.  Amazingly the stones become the new race of men.

  
Apollo and Daphne (1908)
John William Waterhouse
source Wikimedia Commons

Python, a terrible serpent, slithers from the earth, but Phoebus (Apollo) kills him with his arrows, and the sacred Pythian games were establish in memory of the act.  Daphne, daughter of the river god, was Phoebus’ first love but Cupid, resentful at Phoebus’ mocking of him, shoots him with an arrow that ignites love and Daphne with one that spurns it. Apollo pursues, and as he catches her, in response to a prayer to her father, she is turned into a laurel tree.  Yet Apollo loves her still, and this is why the leaves of the laurel crown the heads of the Roman chieftains.

Juno Confiding Io to the Care of Argus (1660)
Claude Lorrain
source Wikimedia Commons

The river god, Inachus wept for his missing daughter Io. She is fleeing the god, Jove, who catches her and rapes her, yet to hide his deed from his wife, Juno, he turns Io into a beautiful white cow.  Yet Juno is not easily fooled and she sets a guard on Io, Argus of the hundred eyes, who never sleeps with all closed at once.  Jove finally feels compassion at Io’s plight and sends Mercury to lull Argus to sleep with his reed pipes with a song of Syrinx (who fleeing from Pan was turned into a reed), and then he cuts off his head. Juno set the eyes of Argus into the tale of a peacock, whereas Io returns to her original form in her refuge on the banks of the Nile and becomes the goddess, Isis.

Io’s son by Jove, Epaphus, mocked the son of Phoebus, Phaeton’s, claim that the Sun was his father.  Mortified, he asks Clymene, his mother, for proof and she confirms the truth, sending him across Ethiopia and India to Phoebus’ palace.

Mercury, Argus and Io (1592)
Abraham Bloemaert
source Wikimedia Commons

From O’s brilliant post, I realized that it would be fun and helpful to add the transformations in each book in a more obvious form than merely reading of them in the text.  So here they are!

Metamorphoses

Chaos  ❥  Creation
Golden Age ❥  Silver Age  ❥  Bronze Age  ❥  Iron Age
Giant’s Race  ❥  New Race
Lycaon  ❥  Wolf
Irreligious, Combative Men  ❥  Deucalion & Pyrrha ⇒ (via Rocks)  ❥  New Mankind
Daphne  ❥  Laurel Tree
Io  ❥  White Heifer  ❥  Io  ❥  Isis
Syrinx  ❥  Marsh Reeds  ❥  Panpipes
The Eyes of Argus  ❥  Peacock’s Tail

Metamorphoses – Book I

Hamlet ~ Act V Scene II (the end)

Hamlet, Horatio and Osric (1830)
H.C. Selous
source

Hamlet  ~~  Act V  Scene II

Ah ha!  Hamlet reveals to Horatio that on his way to England, he discovered one night upon opening the sealed directive to the English king, that Claudius had plotted his murder.  Covertly, he replaces his name on the letters with those of Rosencrantz and Guildenstern, and reseals them with his father’s old seal.  It appears that Hamlet has no regrets, except perhaps in his treatment of Laertes, as he sees Laertes as a mirror image of himself.

Madness (1883)
Odilon Redon
source Wikiart

A young courtier, Osric, enters and announces a request from Claudius for Hamlet to spar with Laertes using swords, but not before much circumlocution and apparently senseless bantering between Hamlet and the courtier.  Hamlet reveals to Horatio that he expects to emerge the winner, but still he has a unsettled feeling.

The King and Queen enter with Laertes and entourage. Hamlet makes an apology to Laertes, blaming his madness for his actions, whereupon Laertes proclaims that he will not accept the apology upon his honour until a higher council has advised him, but he will accept Hamlet’s love.

Before they begin, Claudius announces that he will drink each time Hamlet scores a hit and will drop a precious pearl into the cup.  Hmmm, we can only imagine what the “pearl” will be.  They begin, yet Hamlet refuses to drink from the cup, claiming that he wants to finish the match.  Gertrude, however, drinks before anyone can stop her and the tragedy is underway.  After Hamlet scores two hits, Laertes decides to deal the fateful stroke but guilt nearly stays his hand.  However, Laertes scores a hit, then they scuffle, somehow the rapiers are exchanged and Hamlet wounds Laertes.  The queen collapses from the poisoned drink and likewise, immediately afterward, Laertes announces that he has been slain by his own treachery.  He tells Hamlet that he, too, has only an half hour to live, implicating Claudius in the murderous plot.  Hamlet then both skewers Claudius and forces him to drink the poison, thereby killing him with his own poisonous “union”.  Laertes requests Hamlet’s forgiveness as he dies.  Yet the drama is yet to abate.  Horatio, claiming he is more Roman than Dane, attempts to follow Hamlet to the grave, but his friend stays his hand.  He needs Horatio alive so his story can be told, otherwise who is to really know the truth of the plotting and machinations.  Horatio is to revel the implications of the “rottenness” in Denmark.  With his “dying voice”, Hamlet passes the crown to Fortinbras who arrives to witness the carnage.  The English ambassador announces that Rosencrantz and Guilderstern are dead but wonders who will receive the news.  Horatio begins his promise to Hamlet:

“And let me speak to the’ yet unknowing world
How these things came about.  So shall you hear
Of carnal, bloody, and unnatural acts,
Of accidental judgments, casual slaughters,
Of deaths put on by cunning and forced cause,
And, in this upshot, purposes mistook
Fall’n on th’ inventors’ heads.  All this can I
Truly deliver.”

Fortinbras will call the nobles to audience to hear of these deeds and Horatio urges:

“But let the same be presently performed
Even while men’s minds are wild, lest more mischance
On plots and errors happen.”

The trust must be told before more unwitting tragedy unfolds.  Hamlet is born away like a soldier, with honour and respectful words from Fortinbras.

Prince Hamlet kills King Claudius
Gustave Moreau
source Wikiart

Thoughts:

In the last scene it appeared that the returned Hamlet was a different Hamlet than had left Denmark, and this scene confirms it.  Hamlet begins to act, but act with reason and deliberation.

Hamlet’s Death
Eugène Delacroix
source Wikimedia Commons

Osric’s behaviour towards Hamlet is suspect.  He agrees with everything Hamlet says as if he’s trying to placate him.  Hamlet must know that Claudius’ machinations are behind his behaviour.  The Prince appears to know that the confrontation with Claudius is coming to a head. However, Osric also defies Hamlet in refusing to put on his hat when requested.  Really?  Defy the Prince of Denmark?  Is this an indication of Hamlet’s loss of power?

Again, instead of being wholly fixated on revenge, Hamlet shows concern for others, regretting his behaviour toward Laertes and wishing for a reconciliation.

There are a number of questions this scene brings up which will perhaps remain unanswered.  Does Hamlet really believe that he is/was mad?  Does Gertrude drink the poison unknowingly or not?  Does Claudius make a true effort to stop her drinking?  Does Hamlet suspect about the poisoned drink?

Initially all three characters, Fortinbras, Hamlet and Laertes are united by the deaths of their fathers and a thirst for revenge; at the end of the play they are united by a goodwill towards each other, and perhaps a realization that revenge only brings catastrophe and tumult into lives, and in this case, a kingdom.  The latter point is amplified by Horatio at the end, where he appears to want to educate the influential masses, using Hamlet as an example. Revenge is like a poison and kills those who come in contact with it.

Hamlet Read-Along Posts

Hamlet ~ Act V Scene I

Hamlet  ~~  Act V  Scene I

Hamlet and the Gravediggers
Pascal Adolphe Jean Dagnan-Bouveret
source Wikimedia Commons

And we begin with a little levity topped with introspection.  The scene changes, quite surprisingly, to a cemetery where two grave diggers are acting the parts of fools.  One is musing that permission was given to bury Ophelia in the graveyeard, only because she was nobility (normally, under Catholic law, suicides could not be buried on holy ground). They banter some more until Hamlet and Horatio arrive and Hamlet is disturbed by the disrespectful treatment that the bones of the dead are receiving as the gravedigger digs.  He muses about mortality and that death knows no class or boundaries, treating all in the same manner.  Death, in her universality, has no respect for rank or class, as a leader such as Ceasar or Alexander the Great can turn to dust and end up being used to plug barrels.

The King and Queen arrive on the scene, and both the reader and Hamlet learn that it is Ophelia’s funeral procession.  Hamlet is shocked at first, yet bursts into the ceremony in his grief, almost defying anyone to question his love for her.  When he departs, Claudius reminds Laertes of their plans for Hamlet’s demise.

Eugène Delacroix
source Wikimedia Commons

Thoughts:

With regard to Hamlet’s contemplation on mortality, will the nothingness of death prompt him to revenge, in effect, spurring him to action in life?

The most poignant lines in the play come right before Hamlet jumps into Ophelia’s grave in his grief:

”                       What is he whose grief
Bears such an emphasis, whose phrase of sorrow
Conjures the wandering stars, and makes them stand
Like wonder-wounded hearers?  This is I,
Hamlet the Dane.”

Which brings us to the big question:  did Hamlet really love Ophelia, and can we can determine the answer from what we’ve gathered so far during the play?  I believe that his love was real — there’s no good reason to disbelieve his claim here.  Yet why did he treat her so dismally earlier on in the play?  I tend to think that Hamlet was so consumed with the task of revenging his father that the only benefit he saw in the people around him was how they could help him achieve that goal.  In his thirst for revenge, Hamlet lost his humanity and in this scene we see a little of its return.  We see it even before Ophelia’s burial scene, in the sensitivity he shows towards the mishandling of the bones and skulls in the graveyard.  Yet this scene could also be a foreshadowing of his own death, and perhaps the sympathy we see from Hamlet is directed only towards himself.  Ah, Shakespeare, you tie us in mental knots once again!

Hamlet and the Gravedigger (1873-74)
Camille Cordot
source Wikiart

Hamlet Read-Along Posts