Orlando: A Biography by Virginia Woolf

“He — for there could be no doubt of his sex, though the fasion of the time did something to disguise it — was in the act of slicing at the head of a Moor which swung from the rafters.”

My experience with Woolf’s writing is limited yet expanding.  I loved reading To The Lighthouse for its somewhat dream-like qualities and was rather pleasantly lulled by its stream-of-consciousness style.  Mrs. Dalloway I enjoyed, but I didn’t connect with it as much as I’d hoped and was left in a somewhat puzzled frame of mind at the end.  After reading Orlando, I was left with this same feeling.  What exactly did I just read and who was this Orlando?

Orlando is a young man born in the reign of Elizabeth I, and the novel follows him through his youth, as he has an affair with a Russian princess, cares for his ancestral estate, travels on diplomatic missions, etc.  The theme of writing is also explored, in his rejection by a famous poet and various other allusions. Finally he falls into a trace and, lo, awakes a woman.  This transformation does not seem  to surprise him, and she carries on her life as if nothing remise has occurred, yet upon returning to England she finds her estate embroiled in financial turmoil.  While remaining a woman, she fashionably switches between genders, eventually marries a sea captain, wins the lawsuit with regard to her property and that’s about it.  Woolf herself acts as an historical biographer and with her comic and satirical descriptions of certain people, I wasn’t sure if she was parodying herself as narrator, or taking a poke at a particular figure of her time and society.

Honestly I don’t have much to say about the book.  Twentieth century literature always does this to me.  I expect to be “informed and amused,” as books attempted to do historically (see my Gulliver’s Travels post for some extra information on writers’ intent) and end up somewhat disappointed when I’m only amused.  While I enjoyed the book, it would probably get only 3.5 stars from me.  In spite of my resolution to love it, 20th century literature always falls short.  Certainly the stream of consciousness writing is an interesting experiment, the disjointed prose perhaps a comment on the human psyche and the other artistic experiments are worth examining, but I’m always left with an empty feeling at the end.  What was the author really trying to say?  What did I learn?  What could I take away from the book that would change me in some fundamental way?

Yet, it turns out Woolf herself perhaps was not as satisfied with Orlando as she’d hoped.  Woolf wrote in her diary:

“I have written this book quicker than any; and it is all a joke; and yet gay and quick reading, I think; a writer’s holiday.”

“……… begun ….. as a joke: and now rather too long for my liking.  It may fall between stools; being too long for a joke, and too frivolous for a serious book.”

“Orlando taught me how to write a direct sentence; taught me continuity and narrative and how to keep the realities at bay.  But I purposely avoided, of course, any other difficulty.  I never got down to my depths and made shapes square up, as I did in the Lighthouse …… I want fun.  I want fantasy.”

And yes, Woolf wasn’t meaning this book to be serious at all:

“My notion is that there are offices to be discharged by talent for the relief of genius: meaning that one has the play side; the gift when it is mere gift, unapplied gift; and the gift when it is serious, going to business.  And one relieves the other.”

And so Orlando was a playful, frivolous fantasy that enraptures the reader, as Woolf captures your imagination with her wonderfully vibrant prose and light-hearted fanciful tone.  And I can enjoy it on that level.  Yet it is still only a wonderfully decorative cake, and I feel like I’ve missed the main meal.

O at Behold the Stars has an excellent review of Orlando, and with her comprehensive knowledge of Woolf, will be able to give you much more insight into the book than I have.

The Forgotten Daughter


Author:  Caroline Dale Snedecker

Illustrator:  Dorothy P. Lathrop

Era:  2nd century B.C. (around 113 B.C.)

Published:  1933 (Doubleday)

Award:  Newberry Honor (1934)

Age Range:  8 – 14 years old

Review:  ★★★★

Twelve year old Chloé lives with her companion, Melissa, in a shack in mountains of Samnium outside of Rome.  The daughter of a Greek slave and a Roman centurion, at her mother’s death she is abandoned by her father to her fate, which is that of a slave.  As Chloé grows to womanhood, she draws from the animals and nature around her as companions.  Her character is as lovely as the woods around her, yet still she nurses an abiding hatred for the man who should have loved, nurtured and raised her as his own.  When a young Roman nobleman arrives at a neighbouring villa and encounters the young girl, Chloé’s circumstances appear destined to change for the better, yet her past finally catches up with her and Chloe must decide whether she will hold on to the ghosts of the past or reach forward into a new future.

Map of Ancient Samnium
from the Historical Atlas William R. Shepherd (1911)
source Wikipedia

Snedecker was known for her extensive research using only primary or secondary sources, and The Forgotten Daughter sings with a melody of the past.  Snedecker’s writing brings Roman life to the reader in vibrant colours and poignant emotions.  The descriptions of the setting are beautiful and living, and as a reader you feel that you have stepped right into the story.

Chloé’s life as a child slave was perhaps the most troubling and effective portrait that I’ve every read in a book.

“Forever besetting mankind is this temptation — to make other men into machines.  Always in a new form it comes to every generation, and always as disastrous to master as to slave.”

 Snedecker delves into the emotions of the characters in such a visceral way and with an uncanny perception.

“Despair in the old is a grievous thing, but not so bad as despair in the young.  The young have no weapons, no remembrances of evils overcome, nor of evils endured.  They have no muscle-hardness from old battles.  They see only what is present, and they believe it to be forever.  And they are very sure.  Besides, joy and up-springing are the right of youth, and without it youth falls to the ground.”

The theme of slavery was obvious on the surface but also subtly explored through other occurences, weaving fine threads of insight through an already well-constructed story.  I absolutely loved this read and will be seeking out other books by Snedecker.

This book was read for Amanda at Simpler Pastimes Children’s Literature Event.

A more extensive review can be found at my children’s blog, Children’s Classic Book Carousel.

Deal Me In Challenge #3 – Ace of Hearts

The Cabin Faced West

Author:  Jean Fritz
Illustrator:  Feodor Rojankovsky
Era:  1784
Published:  1958 (G.P. Puntam’s Sons)
Award:  none known 
Age Range:  3 – 12 years old
Review:  ★★★★★
Fritz relates the wonderfully poignant story of Ann Hamilton, a young girl who has moved west with her family, which include her parents, and two brothers. Her father, in his wisdom, emphasizes that the family must “look west” now, and that there should be no looking back.  Ann, however, finds this resolve difficult.  She misses her family, especially her cousin, Margaret, who was her best friend.  How will she be able to carve out a new identity for herself in this new unfamiliar land.  Who is this new Ann, who is now a pioneer girl?

Eventually, through various interactions with her family, other settlers, and George Washington himself, Ann learns the value of this new land and her place within it.

Set during the late 1700s, this story is based on a true one which happened to Fritz’s great-great-grandmother, Ann Hamilton.  George Washington did indeed stop at the Hamilton’s for dinner on September 18, 1784.  His diary reads:  “Set out with Doctr. Craik for my Land on Miller’s Run.  Crossed the Monongahela at Devore’s Ferry —- bated at one Hamilton’s about 4 miles from it, in Washington County, and lodged at Colo. Cannon’s”  And so the story passed down through generations to finally be shared with us all.

For a more extensive review, please see my Classical Children’s Carousel!

Oh yes, and the first book read for the January Classical Children’s Literature Event!

Deal Me in Challenge (#2) – Eight of Hearts




Meditations by René Descartes

“My reason  for offering you this book is very persuasive, and I am confident that you will have an equally strong reason for defending it once you understand why I wrote it; thus the best way of commending it to you is to say a few words about my objective in writing it”

Descartes set out to examine how “everything that can be known about God can be shown by reasons that derive from no other source but our own mind, …. and how God can be known more easily and more certainly than worldly things.”  However even as he claims his investigations as “certain and evident,” he is concerned that not everyone has the ability to grasp them.  Right then, I knew I was in for a philosophically dense read.  Yet while I trembled, I soon began to realize that Descartes splits his meditations into manageable chunks and, if you employ your brain for short periods, his explanations and arguments can penetrate.  I also realized that the title of the book could be of assistance.  These thoughts of Descartes were ideas that were probably products of hours and days and years of pondering and questioning and seeking.  If it took him that long to produce the ideas, I’d have to be willing to meditate on them if I wanted to develop a basic understanding.  And so I went on ….

First Meditation:  Things which can be called into Doubt

Descartes explores false knowledge, which he distinguishes from the unknowable: “there is nothing among my former beliefs that cannot be doubted and that this is so not as a result of levity or lack of reflection but for sound and considered reasons.”  It is necessary to discard all beliefs that aren’t absolute to determine what is known for certain.  There are many comparisons to thought while asleep and thought while dreaming.  He concludes with:

“I am like a prisoner who happens to enjoy an imaginary freedom in his dreams and who subsequently begins to suspect that he is asleep and, afraid of being awakened, conspires silently with his agreeable illusions.  Likewise, I spontaneously lapse into my earlier beliefs and am afraid of being awakened from them, in case my peaceful sleep is followed by a laborious awakening and I live in future, not in the light, but amid the inextricable darkness of the problems just discussed.”

Second Meditation:  The Nature of the Human Mind, and that it is better known than the Body

Descartes thoughts continue from his supposition from his first meditation and he decides that everything is false.  Yet if all he believes is false, he does conclude that one thing is true:  he exists.  His reasoning is something like this:

  1. He exists if he is not being deceived.
  2. He exists if he is being deceived.
  3. Therefore, if he is being deceived or not being deceived, he exists
  4. He is either being deceived or not being deceived.

Interestingly, St. Augustine also argued “fallor ergo sum”, or “I am being deceived, therefore I exist”.

I think here Descartes arguments are of a personal and not necessarily a general nature:  his mind exists because his thoughts exist.  However, he still hasn’t proven that he exists.

Rene Descartes with Queen
Christina of Sweden
source Wikipedia


Third Meditation:  The Existence of God

Descartes starts to lose me here.  He examines the dream state and questions how we can know it from reality and then he discusses the all-powerful God which we know and how we could be deceived in our perception of him (I think).  Very logically he states that if he is being deceived, that very fact proves his existence.  He comes to the conclusion that God is not a deceiver but leaves the door open to accept that there is something that is.

I was fascinated by Descartes exploration into ideas.  There are ideas which come to us that do not originate with us and, in fact, sometimes impose themselves on us.  If they are not products of our will, does that not point to there being something other than us?

“But if I derived my existence from myself, there would be nothing that I would either doubt or wish for, nor would I lack absolutely anything.  For I would have given myself every perfection of which I have some idea and thus I would be God himself.”

Whew, that’s certainly something to think about!

Fourth Meditation:  Truth and Falsehood

Yikes, and even deeper we go ……..  Descartes concludes that God exists and his existence depends on Him.  God cannot deceive because deception involves some sort of imperfection and God is perfect.  When Descartes focuses on God he finds no error in himself, but when he focuses on himself, he is full of errors.  He calls himself an intermediate being between God and nothingness.

With regard to errors, he proposes that two faculties come into play:  the faculty of knowledge and the faculty of choosing from his own free will, in other word, intellect and will.  Through his intellect he perceived ideas but through his will he can make judgements.  There is a problem though:  his intellect is limited —- it cannot perceive all ideas and it does not always perceive clearly and distinctly —– whereas his will is unlimited —- it can make, deny or suspend judgements on anything.  Yet as long as he does not make wrong judgements in his will, he is safe …… if he simply suspends judgement on ideas he’s not certain of, he cannot be wrong.

Descartes at Work
source Wikipedia


Fifth Meditation:  The Essence of Material Things, Another Discussion of God’s Existence

Descartes provides a new argument for the existence of God, in that if he thinks that he exists, existence in inseparable from God and therefore He exists …… or at least, I think that’s what he’s saying.  Such as:

1.  God is a being that has all perfections
2.  Existence is a perfection
——>   God exists

There are three famous arguments about Descartes’ position (one of them being Kant’s argument that existence isn’t a perfection) but none hold up to logical examination, so I guess Descartes is still the winner.

Sixth Meditation:  The Essence of Material Things, and the Real Distinction Between Mind and Body

Wow, this is getting challenging!  To argue for a material world, Descartes examines what is contained in his own soul.   There is a delineation between imagining and pure understanding.  He concludes he could exist without imagining, therefore imagining must be outside his mind and connected to the body.  Next he examines the senses, which he feels come involuntarily and therefore connect ideas to the mind.  The next puzzle is why the mind is connected to the body ………  With all these quite impressive logical acrobatics, he begins to believe material objects exist but perhaps not in the way he has always believed.  There are a number of other investigations into our senses and their role, why we make unwise decisions, and that the body is divisible, yet the mind is not.  He ends by stating:

” For from the fact that God is not a deceiver it follows that, in such cases, I am completely free from error.  But the urgency of things to be done does not always allow us time for such a careful examination; it must be granted, therefore, that human life is often subject to mistakes about particular things, and the weakness of our nature must be acknowledged.”

As much as it completely strained my brain, the Sixth Mediation really resonated with me.  I remember as a small child wondering why I was me. How was it that I felt contained in this particular body and not another?  Why was I chosen to be me?  How?  Why was I a soul living in Canada and not somewhere else?  I think this was the start of realizing that I had a soul and was something more than just a mechanical shell or a biological entity.  And if that was true, then where did I come from and who made me?  Perhaps not original questions, but ones that I think we should think about more in life.  Yes, we should all be philosophers!

Philosopher in Meditation
Rembrandt (1631)
source Wikipedia

Getting back to the book, it continues with “objections” or responses from Johan de Kater, a Catholic theologian from Holland; Fr. Marin Mersenne; Antoine Arnauld, a Jansenism theologian; Thomas Hobbes; and Pierre Gassendi, a priest, scientist, astronomer and mathematician.  I really had to laugh reading some of these objections.  In fact, the Catholics were the ones who questioned the logic Descartes used to prove the existence of God.  So curious from a modern prospective but it appears that the church was willing to ask tough questions during these times and wasn’t afraid of searching for the truth.  So interesting!

Descartes’ Replies to the Objections are also very enlightening but so very deep.  A course in logic would have been very useful before reading this book, however, I think I’ve covered enough for now.  Descartes obviously liked to think and had alot of time to do it.  It was mental gymnastics to try to follow him but good for the brain.  To really understand it though, you need to have read Aristotlean philosophy along with a number of other more recent philosophies, as Descartes thoughts sprung from that already anchored base.  At least my understanding, while minuscule, is more than when I started.  Thanks, Descartes!