Love Sonnet XIII by Pablo Neruda

Pablo Neruda as a young man

Pablo Neruda as a young man
~ source Wikipedia

 

The light that rises from your feet to your hair,
the strength enfolding your delicate form,
are not mother of pearl, not chilly silver:
you are made of bread, a bread the fire adores.

The grain grew high in its harvest of you,
in good time the flour swelled;
as the dough rose, doubling your breasts,
my love was the coal waiting ready in the earth.

Oh, bread your forehead, your legs, your mouth,
bread I devour, born with the morning light,
my love, beacon-flag of the bakeries:

fire taugh you a lesson of the blood;
you learned your holiness from flour,
from bread your language and aroma.

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The Phoenix and the Turtle by William Shakespeare

The Phoenix and the Turtle

I drew The Phoenix and the Turtle, a poem by William Shakespeare, for my Deal Me In Challenge, and after reading it, I’m so confused.  Fortunately, I pulled up an article on it which said it is one of the more confusing poems in English literature, so I feel a little better.  But only a little.  Let’s see what I can discover about it ……

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The Mad Gardener’s Song by Lewis Carroll

Sutterlin Handwriting

These crazy times seemed to be the perfect time to re-start my Deal Me In Challenge and perhaps not so surprisingly, my card-choice led me to a very crazy poem, The Mad Gardener’s Song.  Lewis Carroll is well-known for his zany poetry and stories and this one is no exception.  It also lines up with my activities and planned activities of late …. gardening.  Of course, there is no connection to the mad gardener and me.  Perish the thought!  I’m quite sane.  Really ….! 😂😜

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Tears, Idle Tears by Alfred Lord Tennyson

Alfred Lord Tennyson

Well, I have proven very predictable.  Following my usual pattern for the Deal Me In Challenge of getting off to a great and very consistent start, I then quickly fell behind schedule.  Do I care?  Yes!  I’m usually a very consistent person — a loyal friend, a hard worker, a steady blogger (yes, this is important too!) —- so it really bothers me when I don’t stick to a challenge.  However, I have some very consistent blogger friends whom I won’t mention, whose dedication to challenges continually convicts me (oh okay, I will mention them —- O, I’m referring to you!), so with their gentle reminders, I’ve decided to pick up where I left off and hopefully get some momentum to finish this challenge well.

Finally, oh finally! I drew a poem, my first poem of the challenge so far in 11 choices. What are the odds of that?  Perhaps I should buy a lottery ticket!

Written in 1847 as a song from one of his longer poems The Princess, Tears, Idle Tears, a lyric poem, was composed in blank verse and is said to be one of the few poems where Tennyson conveys his personal sentiments in his works.  Tennyson claims he wrote it after a visit to Tintern Abbey, which was abandoned in 1536 and for him held “the passion of the past, abiding in the transient.”  He said, it was “full for me of its bygone memories ……”

Tintern Abbey
courtesy of Saffron Blaze
Source
Tears, Idle Tears by Alfred Lord Tennyson

     Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.
      Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
      Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awaken’d birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
      Dear as remember’d kisses after death,
And sweet as those by hopeless fancy feign’d
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more!

Wow! I remember really liking this poem when I was younger but now it seems all melancholy and sad and depressing.  But really, should have I expected more from Tennyson based on my familiarity with one of this other poems (and one of my absolute favourites!), The Lady of Shallot? —- lots of crying out and isolation and cracking and curses …… no, why am I at all surprised?

 

Tinturn Abbey (inside)
source Wikipedia

So, now for my rather amateur analysis ……. the first aspect of the poem that stood out for me was his initial confusion.  He doesn’t recognize the tears or connect them with anything at first.  They come from deep within him.  Does that highlight man’s propensity to live a rather shallow life?  — to live in the moment without ever doing any deeper self-examination?  And does it also highlight how capricious time is; that it slips away without us even noticing?

The autumn setting gives the poem a melancholy feel as summer has passed, and the passing of summer means less sunshine and happy times, and the death of leaves and greenery as the scenery turns from bright colours and greens to a burnished and faded scene.

Regret is an obvious theme and Tennyson takes us to the underworld, which I assume is really the memories of the dead whom he loved, yet these memories bring him sadness. He is not focusing on the happiness experienced during those times, but the loss of them.

These memories now seem very far away to him, so much so that the very experiences he participated in now appear strange to him.  The casement is shrinking in his vision, perhaps the approach of death?

At least, he feels the memories are dear and sweet, but he acknowledges the death of those times, a death that has happened before he himself has died.  There is nothing uplifting in his remembrance.

Farringford, Tennyson’s residence of the Isle of Wright
source Wikipedia

Good heavens!  Yes, lots of tears and despair and sinking and sadness and strangeness and dying.  It would be fascinating to travel back in time and find out just what was going on in Tennyson’s life and head when he wrote it.

Next up for my Deal Me In Challenge is a children’s classic called Teddy’s Button by Amy LeFeuvre.

 

Here I Love You (Aquí Te Amo) by Pablo Neruda

I anticipate summer every year because when it arrives I have weeks where I’m able to read, read, and then read again.  I usually get at least 7 books finished during summer. This summer I finished 2 books.  Usually this outcome would frustrate me but books were replaced with people this summer and everything was as it should be.  We made some wonderful new friends, re-connected with old ones, and hopefully helped everyone’s summer be a little more meaningful, as they did ours.  It was one of the best summers in a long while.  However, now that the blissful time is over, and life is beginning again, the feeling of frustration is looming because I have so many books on-the-go, none nearly finished, and on top of it all, I feel unfocussed.  Not to mention, because of both situations, my reviews have been dwindling.

So today, I’ve decided to step back into the enchanted summer memories and share a poem, that I discovered on vacation, by the Chilean poet, Pablo Neruda.  So many of his poems bring in evocative images of the sea and nature, which are irresistible to me. And, of course, I spend most of the summer by the sea and nature, so it’s no wonder I feel an affinity with his poetry.

 

Pine Forest in Vyatka Province (1872)
Ivan Shishkin
source Wikiart

 

Here I Love You by Pablo Neruda
 
Here I love you.

 

In the dark pines the wind disentangles itself.
The moon glows like phosphorous on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sea sounds and resounds.
This is a port.
Here I love you.

Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea towards no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing your name with their leaves of wire.

 

 
Pablo Neruda
trans. W.S. Merwin

 

Sunset At Sea (1853)
Ivan Aivazovsky
source Wikiart
Aquí te amo by Pablo Neruda
Aquí te amo.
En los oscuros pinos se desenreda el viento.
Fosforece la luna sobre las aguas errantes.
Andan días iguales persiguiéndose.
Se desciñe la niebla en danzantes figuras.
Una gaviota de plata se descuelga del ocaso.
A veces una vela. Altas, altas, estrellas.
O la cruz negra de un barco.
Solo.
A veces amanezco, y hasta mi alma está húmeda.
Suena, resuena el mar lejano.
Este es un puerto.
Aquí te amo.
Aquí te amo y en vano te oculta el horizonte.
Te estoy amando aun entra estas frías cosas.
A veces van mis besos en esos barcos graves,
que corren por el mar hacia donde no llegan.
Ya me veo olvidado como estas viejas anclas.
Son más tristes los muelles cuando atraca la tarde.
Se fatiga mi vida inútilmente hambrienta.
Amo lo que no tengo. Estás tú tan distante.
Mi hastío forcejea con los lentos crepúsculos.
Pero la noche llena y comienza a cantarme.
La luna hace girar su rodaje de sueño.
Me miran con tus ojos las estrellas más grandes.
Y como yo te amo, los pinos en el viento,
quieren cantar tu nombre con sus hojas de alambre.

 

Sea View By Moonlight (1878)
Ivan Aivazovsky
source Wikiart

I absolutely love the image of the wind disentangling itself.  Neruda uses so few words but conveys the intricacy and greatness of the ocean ……..  the desolate feeling of not only the landscape, but of the absence of his lover.  Whom of us hasn’t know the ache of either unrequited love or the anguish that comes from the separation of love?  Yet he doesn’t leave the reader without encouragement:  still the night sings to him and he loves on.

My favourite line in this poem?  “Sometimes I get up early and even my soul is wet.”  I can’t describe it, but I can feel it.  Amazing.

So this lovely poem was part of my minuscule summer reading, and I thought I’d share it, wrapping up a memory of the past to take into the future …..

 

The Faerie Queene ~ Book I (Part II)

The Faerie Queene

Book 1
Contayning
The Legende of the Knight of the Red Crosse
Or
Of Holinesse

 

So far this is proving a much more difficult read than anticipated.  It does get easier as you get used to the style and delivery, but there is so much information and I do want to cover as much as I can in my reviews in case I never read it again.  I mean I want to read it again, but right now it’s rather exhausting.  Cantos I to VI introduced us to the Redcrosse Knight and Una, documenting Redcrosse’s descent into sin and Una’s unwavering faith in him.  The following cantos conclude Book I.

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The Faerie Queene ~ Book I (Part I)

The Faerie Queene

Book 1
Contayning
The Legende of the Knight of the Red Crosse
Or
Of Holinesse

 

Canto I
The Patron of true Holinesse,
Foule Errour doth defeate:
Hypocrisie him to entrape,
Doth to his home entreate.

 

 

At the behest of the Faerie Queene, the Gentle Knight, or Redcrosse Knight, sets out with his companion, Una, a daughter of a king, who is riding an ass and leading a small lamb.  His quest is to slay a terrible Dragon, that is holding Una’s parents captive. Accompanied by a Dwarf as a servant, the travellers come upon a fierce storm and are forced to take shelter in a forest bower for the night.  When morning dawns, they fear that they have lost their way until they come upon a cave.  Una cautions the Knight, fraught with fearful doubts and premonitions of this den, but the Knight will not heed and enters, “full of fire and greedy hardiment”.  Inside he discovers a terrible monster, Error, surrounded by her young.  He commences a battle:

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