Chapter XXXV

St John makes Jane pay for her unpopular decision to reject his marriage offer with a cold aloofness and a determined effort to display his displeasure.  Jane declares he does not act maliciously, but this reader must disagree with her assessment of his actions.  His sisters are at first pleased that he has offered for Jane, then appalled at his lack of emotion with regard to the attachment, and his efforts to take her to India where they are certain she’ll die.  St John attempts once again to change her mind and she is firm, yet after his reading from Revelation one night and his entreaties after, she finds her will bending to his until she hears a voice calling her:  “Jane, Jane, Jane.”  She is as certain of it being the voice of Mr. Rochester, as she is certain of her actions the next day and, brushing off St John, retires to her room to await the morning.

The Proposal (1825) Thomas Clater source ArtUK

Chapter XXXVI

St John has left for Cambridge for a fortnight when Jane awakens the next morning but has left her a note almost demanding her reconsideration.  Jane gives it little thought, taking leave of Diana and Mary and setting out in a coach for Thornfield.  She stays at the Rochester Arms, and the next morning walks to the great hall with an impatient anticipation.  However, upon setting eyes on Thornfield she is given a great shock; the house is burned to the ground and with a heavy heart she returns to the inn to ask the cause of the blaze.  It was set one night by a lunatic who was kept in the house.  She escaped from her keeper, Mrs. Poole, who liked to tipple, and Rochester, distraught after the disappearance of the governess he loved and longed to marry, was at Thornfield alone.  He tried to save the lunatic, his wife, but she threw herself from the battlements.  While trying to save the other occupants of the house, the staircase he was on collapsed, and the result was that he is now stone blind.  He lives at Ferndean manor house presently and Jane immediately hires a conveyance to take her there.

Manor House, Ilkley John F. Greenwood source ArtUK

Chapter XXXVII

Jane arrives at Ferndean just before dark.  Buried deep in a wood, the building is modest and unpretentious.  As she approaches the desolate spot, she spies a figure on the step and knows at once that it is her own Rochester.  His movements are heartbreaking as he struggles to find his blind way to the grass plot in front.  John, the servant, draws near, offering him his arm, which he ungraciously refuses.  After he re-enters the house, Jane knocks and reveals herself to an astonished Mary, then after requesting accommodation, goes into the sitting room to face Rochester.  Carrying in a tray, she offers him a glass of water while an excited Pilot dances around her. Immediately Rochester senses all is not right; he questions her identity while claiming that he is under a delusion.  While he explores her with his hands, he rambles on like a man in a dream.  Is this really his love come back to him again?  When he finally acknowledges that it is she, he questions her rapidly, finding out that she is rich, who she has been with, and that she has had a marriage proposal.  At first he is irritated and self-deprecating, but finally he rises from his funk and asks for her to be his wife, to which she readily agrees.  Eventually, Rochester speaks of a night of longing for her, where he prayed to God and called her name.  Jane discovers it is the same night that she’d heard his voice but doesn’t reveal the fact, deciding he has already enough burden and does not need that of the supernatural.

First Born (1881) Josephus Laurentius Dyckmans source ArtUK

Chapter XXXVIII

And thus ends this wonderful novel.  The wedding was a quiet one with only the parson and clerk present with the couple.  John and Mary are informed; St John is written to but does not respond until six months later; Diana and Mary approve and wish to visit; Adèle is brought home then sent to school again.  Two years later Rochester partially recovers his sight enough to see his first-born son put into his arms.  Diana and Mary both marry and St John becomes an indefatigable and zealous missionary in India.  The last letter Jane receives indicates that he is dying and she feels compassion for this stern but dedicated man whose passion for Christ is unwavering.

A Wooded Walk (1650) Jan Lievens source ArtUK

I simply cannot have the same admiration that Jane has for St John’s Christian zeal. Regardless of his dedication, the lack of understanding and harsh condemnation he shows towards her for her decision must naturally carry into his dealings with others and the representation of his faith is injurious instead of edifying.

I’m still somewhat puzzled as to why Jane did not want to tell Rochester about her premonition.  Given that they later become inseparable and tell each other everything, why would she withhold this information from him?  The supernatural occurrence brought her to him and it’s revelation should be uplifting.  Why such reticence?

I also found the ending to the novel curious.  Why end with an observation on St John? His character was interesting as a contrast, but on its own was rather one-dimensional. Was it an indication that his forceful character still had even a tenuous hold over her?  A commentary to stress the importance of his perseverance for spreading the gospel?  I’m not sure …..

What I am sure of is that this read-along has come to an end, and a thoroughly enjoyable read-along it was!  Thanks to Hamlette for another meander through a classic favourite.  I’m already looking forward to the next one!

Chapter XXXII

Although Jane assiduously performs her tasks as schoolteacher at the poor school, she still dreams (literally) of Rochester and spending her life by his side.  Rosamond Oliver visits the school and Jane observes the emotionally charged exchanges between her and St John, but the latter’s heart is guarded by his determination and ambition.  She is commission to sketch Miss Rosamond, and one evening when St John sees the portrait by accident, Jane takes the initiative to question him with a startlingly frank audacity.  He admits that while he loves Rosamond, he is convinced that she is not the partner for him and that they would make each other unhappy.  She is not set to be a missionary’s wife, and he refuses Jane’s offer to paint him a copy of the lovely girl.  As he moves to draw a blank sheet of paper over the portrait, he tears a tiny section from it and slips it into this glove.  Jane is puzzled by his actions but soon dismisses and forgets them.

A Young Woman in a Blue Dress Sketching (19th C.) British (English) School source ArtUK

Chapter XXXIII

In the midst of days of snowstorms, St John visits Jane at her cottage while she reads his gift to her, Marmion, a recently published poem by Walter Scott.  At first, he behaves with an unusual, almost secretive demeanour, but soon Jane learns his errand.  The paper he ripped from her page previously, was a section where she had doodled her real name, Jane Eyre.  From this, he began inquiries and has now not only learned her story, but aspects of it of which Jane herself was not aware.  Jane, however, is only concerned of his inquiries of Thornfield and asks for news of Mr. Rochester.  Nothing is forthcoming though, and St John informs her that now that her uncle is dead, she has inherited all of his property and is now a rich woman.  Jane is suspicious of his means of discovery and when she presses further, finds out that her uncle was also the uncle of St John, Diana and Mary, and that they are all cousins.  With this in mind, she refuses the large fortune and instead intends to split it equally between the four of them.  She states her intention to remain at the school until a new mistress can be found, and soon the inheritance is divided between them.

Chapter XXXIV

As the Christmas season comes, Jane closes Morton school and expresses her desire to clean and do some Christmas baking, for which she earns displeasure from St John and an entreaty not to become slothful.  His dour disapproval of anything easy and entertaining begins to show her his faults and unsuitability as a husband.  Diana and Mary arrive and their gay festive spirit further oppresses St John.  News is given that Rosamond is about to be wed and St John congratulates himself over the conquering of his emotions.  He convinces Jane to learn Hindustani, as a help to him as he prepares for his missionary work and proves himself a stern and unyielding taskmaster.  Jane’s will to please him, begins to hold her in thrall to his desires, but she has not forgotten Rochester, yet her letters to Mrs. Fairfax to inquire about his well-being remain unanswered.

To Jane’s surprise, six weeks before his departure, St John asks her to accompany him as his wife and although Jane agrees to go as a sister, he is implacable in his demands. She begins to see his many, many flaws and thus, is able to deal with him easier as he is brought to her level.  St John continues to punish her with his disapproving silence and even when they try to reconcile, nothing but her complete obedience to his wishes and will would satisfy him:

“As I walked by his side homeward, I read well in his iron silence all he felt towards me: the disappointment of an austere and expected submission — the disapprobation of a cool, inflexible judgement, which has detected in another feelings and views in which it has no power to sympathize: in short, as a man, he would have wished to coerce me into obedience: it was only as a sincere Christian he bore so patiently with my perversity, and allowed so long a space for reflection and repentance ……..

…. He was deeply displeased by what had occurred that day; cordiality would not warm, nor tears move him.  No happy reconciliation was to be had with him — no cheering smile or generous word: but still the Christian was patient and placid; and when I asked him if he forgave me, he answered that he was not in the habit of cherishing the remembrance of vexation; that he had nothing to forgive, not having been offended.

And with that answer he left me.  I would much rather he had knocked me down.”

The Christmas Tree John Henry Twachtman source Wikiart

Jane reveals more and more of her character.  I’ve discovered that what she says about herself is much more important than her outward actions.

She acts with firm resolution in drawing people out of themselves, a unique trait for a woman of her time.

“For me, I felt at home in this sort of discourse.  I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart’s very hearth-stone.”

Her “gift” is instrumental in helping the person to know himself better and this quality of hers is invaluable to those around her.

The character of St John is well-crafted.  I had always thought that his Christianity was the catalyst for his dour character and stringent and unyielding expectations, but Jane often alludes to these characteristics as being outside of his faith and, in fact, it’s his faith that holds them in check.  It’s not because of his faith that he is this way, rather he uses his faith simply as a vehicle to act out his convictions.  Very interesting.

Chapter XXIX

While three days and nights pass, Jane continues in a stupor, confined to a bed in the Rivers’ household.  We learn of her impressions of the family, the sisters being warm and inviting, but their brother St John, displays a different character.  His reserve, quick judgements, distrust and attention to outward appearance are readily obvious.  When feeling a little better, Jane makes her way to the kitchen, where she meets Hannah.  All Hannah’s prejudices against Jane are aired and cleared, encouraged by Jane’s firm resolution and straightforward honesty.  They become fast friends.  At tea with St John and his sisters, he attempts to learn more about Jane, while she examines him.  His features are described as very handsome and harmonious, but underneath she senses a negative energy about him.

“….. (he) scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature.  Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager …….

Had he been a statue instead of a man, he could not have been easier…..”

The Kitchenmaid (1712) Guiseppe Maria Crespi source Wikiart

“But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature.  Zealous in his ministerial labours, blameless in life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist ……”

“….I was sure St John Rivers — pure-lived, conscientious, zealous as he was — had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I, with my concealed and racking regrets for my broken idol and lost Elysium — regrets to which I have latterly avoided referring, but which possessed me and tyrannized over me ruthlessly.”

A Dame’s School (1845) Thomas George Webster source ArtUK

The Cottage Door (1825) William Collins source Wikiart

Chapter XXVI

Jane’s wedding day arrives but there is not much joy in the beginning and the bridegroom appears rather grim.

“I wonder what other bridegroom ever looked as he did — so bent up to a purpose, so grimly resolute: or who, under such steadfast brows ever revealed such flaming and flashing eyes.”

Rochester nearly drags her to the church, where the priest begins the ceremony but, lo, a man arrives claiming an impediment to the union.  It is the solicitor of Mr. Mason, accompanied by said fellow, who claims that Rochester has a wife yet living.  At the declaration, Rochester at first challenges the claim, then appears to accept the accusation.  He leads them all to a room in Thornfield where a wild woman resides and tells the story of being tricked into marriage with her while her family hid her mental disorder.  Jane discovers that her uncle had learned of her impending marriage and Mr. Mason happened to be there at the time, setting out soon after to prevent it.  She retreats to her room and proceeds to examine her predicament with a heartbreaking earnestness.  She sends a prayer to God in her desolation.

The Wedding Morning John Henry Frederick Bacon source ArtUK

Chapter XXVII

After agonizing over the morning, Jane finally leaves her room to find Rochester in a chair outside waiting for her.  He carries her downstairs, gives her food and wine to revive her and then begins to tell of his plans for their future life.  When Jane appears to resist, he realizes that he has not explained how he arrived at his predicament and tells her the story of his marriage —- how he was tricked by his father, older brother and Bertha Mason’s family into making her his bride.  Blinded by her looks, he agreed to the union, only to find her insane and after four years had to lock her up.  Returning to England, she became the inmate of Thornfield and he regrets that he did not appeal to Jane’s magnanimity and tell her the truth earlier.  He seems to think that they will still be married but Jane disavows him of that notion right away, even though her heart is in conflict while it is being torn asunder.  In spite of, first his anger, and then his tormented pain, Jane resists his entreaties.  That night, she leaves, walking for miles alone and then finally gets a ride in a coach to the farthest town she is able.

“Gentle reader, may you never feel what I then felt!  May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine.  May you never appeal to Heaven in prayers so hopeless and so agonized as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love.”

Lover’s Walk, Dolgelly (1867) Thomas Stuart Smith source ArtUK

Chapter XXVIII

The coach takes Jane as far as Whitcross which is really only a marker in the road.  She begins to wander, coming to a town where at first she is too reticent to beg, then as hunger begins to gnaw at her, she asks for food, all while she still aches for Rochester.

“My rest might have been blissful enough, only a sad heart broke it.  It plained of its gaping wounds, its inward bleeding, its riven chords.  It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both winds broken, it still quivered its shattered pinions in vain attempts to seek him.”

Inquiring about work, no one seems to help her and she resigns herself to a fate of death from hunger and cold.  Yet at the last moment she is drawn to a little cottage where she sees a servant and two young women inside.  Attracted by their calm, pleasant demeanours, she knocks on the door but to her despair, the servant Hannah, refuses her admittance.  She is only saved by a young man, St. John, who returns and takes her inside, feeding her and giving her a bed for the night.

Cottage Charles Mahoney source ArtUK

Ah, here is the ripping, the tearing away of Jane and Rochester.  Brontë does an excellent job in conveying Jane’s anguish but in a way that is very in tune with her character.  Her quiet suffering is almost more effective than any outward display.  For a rather practical man, Rochester is in the grip of delusion, which communicates the love he has for her.  He still believes that she will agree to marry him, and one wonders how much he really knows Jane.  Yet his actions display a rather passionate desperation which made me pity him and feel impatience with him all at the same time.  Hopefully Jane’s actions will model a deeper love to him and eventually he’ll respect her decisions. I must say this is one of my favourite parts in the book, despite the sadness and drama.

Her wandering aimlessly around the countryside is certainly not riveting, but it does illustrate the lack of compassion people seem to have for each other.  The fact that she’s a young homeless girl does not seem to touch anyone’s heartstrings.  I wonder if this is an accurate portrayal of human attitudes or simply a device to move the story along.

The weakest part of the book is in this section.  What a coincidence that her uncle just happened to live on this particular Caribbean island, and what a coincidence that he just happens to run into Mr. Mason, who just happens to have the marriage revealed to him so he can stop it and THEN even more manipulation of the uncle by making him so sick that Jane cannot go to him, nor he to her.  Not the best plot crafting by Brontë.

I didn’t know until my fourth or fifth reading of this book that St. John is pronounced, “Sin-jun”.  Do any of my British blog followers, or anyone else for that matter, know the reasoning behind this creative British pronunciation?

Chapter XXIII

Midsummer arrives with a radiance that is breathtaking.  Jane is out walking and spies Rochester, but in spite to trying to avoid his notice, he spots her and asks her to accompany him.  The conversation begins with his alluding to her departure from Thornfield, which she takes to mean that he is referring to his impending marriage. With a playful cruelty, he teases her, until he reveals that she is his only love and therefore, his only bride.  At first, she shows disbelief, but finally is swept away by his emotion.  Yet there are hints of foreboding:

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Chapter XX

Jane hears a blood-curdling wail in the middle of the night and then frantic calls for Rochester’s assistance.  He comes to assure his guests, and Jane retreats back into her room, dresses and waits.  Somehow, she simply knows that she’ll be needed.  Sure enough, Rochester fetches her to a room where Mr. Mason is lying in bed obviously injured, his blood-soaked linens nearby and a bandage covering his arm and shoulder. Rochester’s request is for Jane to remain with the wounded man while he leaves to fetch a surgeon, and when Mr. Mason is finally patched up, he is dispatched ……. no, not killed but sent quickly away in a carriage at the break of dawn.  Rochester asks Jane to walk with him and then asks her obscure yet leading questions with regard to a mistake he may have made, and her judgement on it.  He then teases her about his impending marriage and departs.

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Chapter XVII

Jane feels Rochester’s absence keenly and disappointment bubbles up at the speculation he could be gone indefinitely.  But she gathers her senses and fights her emotions, bringing them under practical reign, and by the time they receive a letter from Mr. Rochester a fortnight later announcing his intent to return with a large party, she is composed.

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Chapter XIV

At first Jane sees little of Rochester, except in passing, but learns not to be offended at his cool acknowledgements, as she is clever enough to realize these funks are independent of her.  One day, he summons her and Adèle, and while the child opens her cadeaux with Mrs. Fairfax, Rochester and Jane begin a deep conversation.  Rochester claims that he was once as good as Jane, but circumstance and fate worked together to corrupt his nature.  Since fate has denied him goodness, he will do what he can to seize any happiness available to him.  Concerned, Jane counsels repentance but her employer is only willing to concede that he might reform.  Surprisingly, he shows tremendous insight  into Jane’s character, and when Jane feels the hour late, Rochester wishes to continue the conversation.  It is an important and illuminating first extended meeting between the two, where they connect on more than just a superficial basis.

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Chapter XI

Brontë begins this chapter by likening the novel to a play and encourages the reader to not only read the story, but “see” it in their mind’s eye, as if it is being acted out on stage. It is a chilly October day as she waits for someone to meet her, feeling small and forgotten.  But soon a conveyance arrives and she is taken the six miles to Thornfield at a frustratingly slow pace.  Taken inside, she makes the acquaintance of Mrs. Fairfax and clears up her mistaken assumption that her pupil is Mrs. Fairfax’s daughter, instead learning the lady is only a servant, and Miss Adèle Varens is the ward of the owner of Thornfield, Mr. Edward Rochester.  As Jane wakes the following morning with risen spirits, the reader finally gets a description of Thornfield, not overly grand, but picturesque in its location.  Jane meets her student, Adèle, finding her pleasing, yet undisciplined towards work.  As to Thornfield’s owner, Mr. Rochester, she is told that he is frequently absent and is “peculiar”, but is unable to discover his peculiarities.  And near the end of the chapter while she is being given a tour of the house, Jane hears a loud laugh that chills her to the bone.  Mrs. Fairfax claims it is the laugh of a servant, Grace Pool, but those who have read Jane Eyre before know better, don’t we?

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