The Prioress’s Tale
In a Christian town in Asia, there was a Jewish ghetto supported by the Crown. The Prioress categorizes the Jews as foul userers and has nothing good to say about them. Near the ghetto, was situated a little school of Christian children, of whom one, a widow’s son of seven years old, was diligent in his prayers and reverence for all that was holy. He sang all day praising Christ’s mother, Mary:
“He sang it with a childlike clarity
And boldly, word by word and note by note;
And twice a day it filled his little throat,
Going to school and coming back again,
Praising Christ’s mother with all this might and main.”
Yet as he sang these praises going down the ghetto street, the Jews plotted his demise and ended up murdering the innocent child. They dumped him in a sewage drain, but “murder will out” and the child’s voice continued its song. His mother went in search of him and though the Jews would not let her find her son, Jesus led her to him. As they retrieved the child’s body, still his singing continued. The provost condemned the guilty Jews to death by drawing them apart by horses and then hanging them from a cart. The holy abbot, who conducted the boy’s funeral, asked him who permitted his song, whereupon he answered:
“‘Though to the bone my neck is cut, I know,’
Answered the child; ‘and had I been confined
By natural law I should, and long ago,
Have died. But Christ, whose glory you may find
In books, wills it be also kept in mind.
So far the honour of his mother dear
I still may sing O Alma loud and clear.'”
Mary, mother of Christ, bade him sing the anthem until his burying, and so at his burying, the singing stopped. The convent began to weep at his holiness and reverence. The story ends by mentioning Hugh of Lincoln, who was also murdered by Jews, and by a benediction for God’s mercy.
|The Prioress’s Tale
Edward Coley Burne-Jones
This tale mirrors other tales in Medieval Christendom, particularly the story of Little Saint Hugh of Lincoln, where Jews are portrayed as greedy, power-seeking and enemies of the true faith. The Prioress makes sure to demonize the Jews, yet shows the Christian element as little, innocent and helpless. However even with the tyranny of the Jews, Mary is able to set things aright with the miracle of the boy’s perpetual singing and the indication of his possible sainthood.
The Prioress’s Tale
I love the medieval and PreRaphaelite art you used for your review here.
As for the Prioress' "beard" in the painting, she's wearing a wimple, still in vogue with certain nun sisterhoods, although most don't wear habits anymore.
It certainly is a shame how anti-semitic Europe was (and still is on a certain level).
I wonder if Chaucer was just recording how Jews were viewed as a matter of fact or was being satirical, trying to show how phony such piety, such as the Prioress' is.
Yes, I finally actually found a painting for my Chaucer post! I wonder why more artists didn't chose his subject matter. It's been difficult to find pictures to use.
I think Chaucer was pointing out the judgementalism (is that a word?) that the Prioress is displaying. In the Prologue, while she seems to have "holy" thoughts, she is still concerned with unholy things. Of anyone, as a believer, she should have had compassion for the Jews but instead she not only judges them but makes them appear worse than they probably were. I can understand her horror at their actions, but she judges them as a race as a whole, not individually as people who commited a crime (it actually reminds me of Hitler). She's vindictive, not a loveable trait in a Christian prioress.