Herodotus’ The Histories – Book I

 

Book I (Clio)

 

“Herodotus of Halicarnassus here presents his research so that human events do not fade with time.  May the great and wonderful deeds — some brought forth by the Hellenes, others by the barbarians — not go unsung; as well as the causes that led them to make war on each other.”

Immediately Herodotus establishes who he is, that he is conducting an inquiry into events, and that he is an unbiased observer, treating both the Hellenes and barbarians alike, lauding each of their deeds.

He goes on to deal with the cause of the enmity between them:  according to the Persians, those dratted Phoenicians started it all.  They sailed to Argos and kidnapped some women, Io, the daughter of the king being one of them, and that is how she arrived in Egypt.  This version is vastly different than the Io version told by Ovid in his Metamorphoses.  In retaliation, the Hellenes then kidnapped the king’s daughter, Europa, from the Phoenician city of Tyre, again a different version from Ovid’s recounting of Europa’s kidnapping.  Yet not being satisfied with one kidnapping, the Hellenes set out again, this time absconding with the king of Colchis’ daughter, Medea. Now, when Paris, the son of Priam, heard about these kidnappings, he thought nothing of stealing Helen.  Even though the Hellenes were seen as the aggressors who began the hostilities, the Persians thought it plain silly to be so concerned about these women, as they would not have been kidnapped unless they were willing.  Well, okay …..  But to add another twist, the Phoenicians disagree with the Persians, saying that Io had relations with the captain of the Phoenician ship and had to sail away to hide her pregnancy.  Heredotus will not say either way who was right, but he does know the first man to commit unjust acts towards the Hellenes …..

The Abduction of Helen (c.1740-60)
Johann Georg Platzer
source ArtUK

Croesus of Lydia was the first man to subjugate the Hellenes and his rule passed to Kandaules.  Now, Kandaules had a beautiful wife and he insisted on showing her, in all her nakedness, to his servant, Gyges, so he would confirm her loveliness.  Gyges is appalled, but what can he do?  He is told not to allow the queen to know that he has seen her naked, but she spies him slipping out the door and plots her revenge. Confronting Gyges, she says he must either slay Kandaules and become king, or die immediately.  Gyges chooses the former, dedicating much silver as an offering to Delphi, and therefore is able to invade Smyrna and Miletus. Thus runs a list of Lydian rulers and their deeds.

The Imprudence of Candaules (1830)
William Etty
source Wikipedia

Croesus, the son of Alyattes, attacked the Ephesians, the first of the Hellenes to be assailed.  He subdued city-state after city-state: the Lydians, Phrygians, Mysians, Carians, Ionians, Dorians, Aeolians, etc, etc.  At the pinnacle of his wealth, a man named Solon arrived in Sardis with many wise men of Hellas.  He had effected laws for the Athenians at their invitation, then travelled for the ten years the laws were in place so as not to be convinced to repeal any of them.  Croesus was curious as to who was the happiest and most prosperous man in the world, expecting the answer to be him, but Solon frustrated his expectations by naming two others.  When Croesus challenged his answers, he replied that to be considered for this title, it must be judged how a man ends his life; until then he can only be called “lucky”.  Croesus disparaged Solon’s wisdom and was sent a dream that his son, Aryes, would die by an iron spear.  He, with hesitation, allows his son to go on a boar hunt, commissioning Adastos, a slave who he had rescued, to ensure his safety.  Ironically, Adastos accidentally kills Aryes with his spear throw and though Croesus pardons Adastos, the slave kills himself on the tomb of Aryes.

Croesus Showing Solon His Riches (1655)
Casper Casteleyn
source ArtUK

Herodotus relates more stories about Croesus and his ancestors, then returns to the worry of Persia and their possible aggression.  Croesus sends a delegation to Delphi where the god, Apollo, returns his answer, advising him to ally himself with Sparta, and Croesus understands this to mean victory. Finally, he and his Lydian army meet the Persians, led by Cyrus, at Sardis, but the Persians are victorious and Croesus is taken prisoner.  On his pyre, when Croesus recounts the words of Solon, Cyrus has a change of heart and commands his release, but the fire is already raging and only an unexpected storm of rain in answer to Croesus’ prayer to Apollo saves him.  Now friends with Cyrus, Croesus instructs him how to stop the plundering of his city and therefore rescue his army from corruption, then requests the right to question the oracle on his mistaken prophecies, yet he learns that he is the one who had misunderstood and accepts blame.

Priestess of Delphi (1891)
John Collier
source Wikiart

Thus runs more Lydian history and moves to the birth of Cyrus, whose grandfather plotted his death at his birth because of dreams he’d interpreted of Cyrus’ overthrow of him:  Grandfather Astyages discovered that Harpagos, his servant, disobeyed his orders to kill the boy (instead giving him to a herdsman to kill who ended up raising him as his own) under the guise of friendship he gets Harpagos to send him his son, and then serves his son for dinner to the father.  Harpagos unknowingly eats his son, and then all is revealed when Astyages has the son’s head, hands and feet brought in.  This was not a good decision, for, when the wisemen or Magi reveal to Astyages that Cyrus is no longer a problem to his rule and his grandfather allows Cyrus to live in Persia, Harpagos stirs up dissent among the populous who already dislike Astyages’ cruel reign.  The servant contacts Cyrus in Persia and Cyrus raises an army, who defeat the Medes who were not dedicated to fight for their despised leader.  This is how Cyrus became king and later deposed Croesus to rule all of Asia.

King Astyages of Media Orders Harpagos to Kill Young Cyrus (late 18th century)
Jean Charles Nicaise Perrin
source Wikimedia Commons

Herodotus now launches into a monologue of the customs of the Persians.  Fascinating to learn that the Persians will not vomit or urinate in front of anyone.  Good to know. Our sensibilities are all safe.  Fortunately, although they will make business decisions while drunk, they will reconsider the decisions the next day when they’re sober. Strangely though, the decisions they make when they are sober, they will also evaluate while they are drunk.

The Persian (1902)
Vasily Surikov
source Wikiart

Then we swing back to Cyrus: after he conquered the Lydians, the Ionians and Aeolians sent messages asking to be subject to his rule, but since they did not band with him is his battle with Lydia, Cyrus refuses.  Then follows a history of the Ionians, Dorians, etc.  It appears that although these areas are located on the coastline of Asia Minor, the peoples migrated from the Greek city-states, and in fact, Athens is considered an Ionian city although it does not like to be referred to as such.  Halicarnassus, the birthplace of Herodotus (although he does not mention that fact) used to be the sixth Dorian city but now there are only five.

Cyrus not only conquers the Lydians, but conquers all the Ionian coast and we are given more history of the surrounding area.  Next, Cyrus plans to advance on Assyria, and its city of Bablyon is described, including two queens that ruled it, Semiramis and Nitokris. Nitokris is particularly interesting as she made many clever improvements in infrastructure.  She built her tomb in “mid-air” above one of the city gates, saying that if ever a future king was in need of money, he need only open her tomb, but warned that it should only be opened in dire need.  No king dared disturb the tomb until Darius came to power, but instead of money he found a note:

“You would not open up the grave of the dead if you were not so insatiable and shamefully greedy.”

Back to Cyrus who went to war against the son of Nitokris, but before he reached Babylon, he was offended by the River Gyndes that swallowed one of his horses (yes, that’s right, a river) and he spent the whole summer dividing his army in work to destroy it, dividing the river into 360 channels.  Rather childish of him but I suppose he was quite enraged.  Then in spring he marched on Babylon.  He defeated the Babylonian army outside of the city, but many men returned to the city with great stockpiles of food, and Cyrus found himself at an impass.  However, with great guile, he diverted the Euphrates where it entered Babylon, and attacked by the riverbed, taking the inhabitants by surprise and conquering the city.  Herodotus now describes the Babylonian crops and their enormous yields, their boats, their shoes, and their means of marrying off their daughters in an auction for money but if the couple cannot get along, the money is repaid and supposedly the girl returned.  Sadly however, since the Persian capture, the Babylonians are impoverished and prostitute their daughters.  A fascinating custom is that instead of doctors, they carry the sick person to the square and allow others to advise him, very helpful if someone else has had the same sickness and knows of a cure.  Herodotus says that their most disgusting custom is that once per year every woman must sit in the sanctuary of Aphrodite and have intercourse with a stranger.

 

Cyrus the Great’s Siege of Babylon (1819)
John Martin
source Wikimedia Commons

Cyrus now turned his battle-filled eyes to Massagetai which at this time was ruled by a woman named Tomyris.  Refusing his proposal of marriage, seeing it for what it was, she suggested that he return to rule his people and allow her to rule hers, but if he insisted on battle, either come into her territory or let her come onto his.  The generals of Cyrus suggest that they allow Tomyris onto Persian territory but Croesus convinces Cyrus otherwise.  After having a dream that Darius is plotting his overthrow (which is really an omen of his death), the two sides battle and eventually Cyrus is killed.  Tomyris defiles the corpse by placing his head in a wineskin filled with blood.

Head of Cyrus Brought to Queen Tomyris (1622-23)
Peter Paul Ruebens
source Wikiart

The Oresteia ~ The Eumenides

The Eumenides by Aeschylus
“I give first place of honor in my prayer to her
who of the gods first prophesied, the Earth; and next
to Themis, who succeeded to her mother’s place
of prophecy; so runs the legend; and in third
succession, given by free consent, not won by force, 
another Titan daughter of Earth was seated here. …..”

Time passes and Orestes arrives at the Temple of Apollo at Delphi, still pursued by the Furies.  His conflict continues in tormenting unrelief and he appeals to Apollo for alleviation from his guilt.  He has avenged his father, but in doing so has murdered his mother.  Divine command has clashed with divine decree, and he is helpless to navigate his way through the maze of paradoxical possibilities.  The priestess, Pythia, is shocked to find him in the suppliant’s chair with a sword dripping with blood and the sleeping Furies surrounding him.  A spell has been placed upon them by Apollo so Orestes can travel unhampered to Athens, which he does after Apollo absolves him of complicity in his murder of Clytaemestra. But now he must seek Athena for a possible resolution to his dilemma.

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The Oresteia ~ The Libation Bearers by Aeschylus

The Return of Orestes (1785)
Anton von Maron
source Wikimedia Commons

The Libation Bearers by Aeschylus
“Hermes, lord of the dead, who watch over the powers
of my fathers, be my saviour and stand by my claim.
Here is my own soil that I walk.  I have come home;
and by this mounded gravebank I invoke my sire
to hear, to listen …..”

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The Oresteia ~ Agamemnon by Aeschylus

The Sacrifice of Ipheginia by Agamemnon (1671)  Jan Steen
The Sacrifice of Ipheginia by Agamemnon (1671)
Jan Steen
source

 

Agamemnon by Aeschylus
 
“Dear gods, set me free from all the pain,
the long watch I keep, one whole year awake …
propped on my arms, crouched on the roofs of Atreus like a dog.”

Agamemnon is the first of a trilogy of plays called The Oresteia, the next two plays being The Libation Bearers and The Eumenides, all performed in 458 B.C., only two years before the death of Aeschylus.  This surviving unified trilogy allows the reader to experience the development of these three-part stories and to observe the common strands of informatiion and enlightenment winding throughout.  Each play would have built support and framework for the others.  However, even though we have all three plays of this trilogy, the satyr play Proteus is lost, as it would have been a type of comic epilogue to finish The Oresteia.

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Metamorphoses Book VII

Book VII

 

Medea and Jason / Medea and Aeson / Medea and Pelias / The Flight of Medea / Theseus and Aegus / Minos / Cephalus / The Plague / The Myrmidons / Cephalus, Procris & Aurora

 

Jason and Medea (1907)
John William Waterhouse
source Wikiart

The twin sons of Boreas assist King Phineus, who aids them in their journey to Colchis, where Jason meets with King Aeëtes to claim the Golden Fleece. The king agrees to relinquish his prize upon Jason completing three horrendous tasks. Yet Medea, daughter of the king, has fallen madly in love with Jason.  In spite of Jason’s foreign origin and the loyalty she owes to her father, she agrees to help Jason succeed in his trials in exchange for his promise of marriage.  First, he tames the dangerous bulls with herbs of Hecate given to him by Medea, yoking them to plow a field that has never before been plowed.  As he drops snake’s teeth into the ground from a bronze helmet, each takes the shape of an armoured warrior who attacks Jason.  But the young man hurls a stone into their ranks and they turn on each other, perishing in a civil war.  In his last test, Jason puts to sleep a dragon with juices from a hypnagogic herb, gains the Fleece and sails home with his new wife.

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Lysistrata by Aristophanes

“The War shall be women’s business …….”

Staged during the Peloponnesian War and a mere two years after the disastrous defeat of Athens during the Sicilian Expedition, Aristophanes wrote Lysistrata ( Λυσιστραταη), meaning “disbander of the army”, as a protest against the waste of both resources and lives caused by the acts of war.

The play begins in the year 411 B.C., the twentieth year of the Peloponnesian War between the city states of Athens and Sparta, and the women of the participating factions are becoming disaffected by the incessant fighting.  Lysistrata, a woman of Athens, gathers neighbouring women from the areas of Sparta, Bœotia, Corinth, Peloponnese, etc. in protest of this gratuitous war.

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Seven Against Thebes by Aeschylus

“You citizens of Cadmus, he must speak home
that in the ship’s prow, watches the event
and guides the rudder, his eyes not drooped in sleep.”

Produced in 467 B.C. and winning first prize in the City Dionysia drama competition, The Seven Against Thebes is assumed to be the last of a trilogy of plays which dealt with the Oedipus cycle, the other two being called Laius, and Oedipus, both lost, as was the concluding satyr play, The Sphinx.  Driven mostly by dialogue, this play requires some background history to add some further insight.

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The Suppliant Maidens by Aeschylus

“Zeus Protector, protect us with care,
From the subtle sand of the Nile delta
Our ship set sail …….”

Originally thought to be the earliest extant Greek tragedy, having been produced in 490 B.C., more recent evidence places it with a trilogy produced in 470 B.C., making it one of Aeschylus’ later plays. More primitive in style than The Persians, and using the archaic practice of having the protagonist as the chorus, it’s possible that Aeschylus kept it unseen for 20 years, but his motivation for this concealment would certainly be inexplicable.

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The Persians by Aeschylus

“Of the Persians gone 
To the land of Greece
Here are the trusted:
As protectors of treasure …..”

 

Performed in Athens in  472 B.C., The Persians portrays the naval battle at Salamis between the Greeks and the Persians, which occurred seven years earlier.   It is unique from other tragedies, as it was without a prologue or exudos (final scene) of the chorus.  As it deals with contemporary history instead of the common mythic topics, it was not part of a unified triad of plays that Aeschylus appeared to favour, yet interestingly it was performed with two other “lost” mythic plays, Phineus and Glaucus Ponieus.  In comparing this play to later tragedies, these differences raise the possibility of tragedy developing out of an earlier form.

Battle of Salamis (1868)
Wilhelm von Kaulbach
source Wikimedia Commons
 
The play begins in 480 B.C., and at the palace of Xerxes at Sousa, the Persian elders are lauding the strength of Xerxes and his army as they are engaged in battle with the Greeks:
 
“And the furious leader the herd
Of populous Asia he drives,
Wonderful over the earth,
And admirals stern and rough
Marshals of men he trusts:
Gold his descent from Perseus,
He is the equal of god.”
 

Yet their tone of exhortation becomes tinged with concern over the question of victory in this battle, and the mother of Xerxes, the Queen, appearing, echoes their sentiments.  A herald arrives, bringing most unwelcome news:
 
“O cities of Asia, O Persian land,
And wealth’s great anchorage!
How at a single stroke prosperity’s
Corrupted, and the flower of Persia falls,
And is gone.  Alas!  the first herald of woe,
He must disclose entire what befell:
Persians, all the barbarian host is gone.”
 

The herald, an eyewitness, bitterly describes the Persians’ defeat at Salamis.  Momentarily speechless, the Queen finally asks about survivors.  Xerxes is still living, but the Herald lists the many dead heroes, casualties of the battle.  The survivors are scattered.

 

“Ship dashed against ship, till the Persian army
dead stewed the deep like flowers”
source Wikimedia Commons
While Xerxes is a great warrior, his errors in the battle are made apparent.  He harangued his captains publicly, “in ignorance of Greek guile and the jealousy of the gods” …. and, “he conned the future ill.”  In return for his pride and miscalculations:

 

“All the Persians, who were in nature’s prime,
Excellent in soul, and nobly bred to grandeur,
Always first in trust, met their death
In infamy, dishonor, and in ugliness.”

 

Lamenting that her dream of defeat has come to fruition, the Queen attempts to assuage her grief by offering prayers and gifts to the gods.  As she offers libations at the tomb of her dead husband, Darius, his ghost rises up, inquiring about the present woe.  When he hears of the tragic defeat, he appears to blame his son’s “youthful pride”, yet he counsels the Queen to receive her son gently when he returns.
 
Somber laments issue from the Persian council of elders until Xerxes arrives in grievous affliction.  He recounts more of his defeat, his words a song of sorrow until the end:
 
“Oh alas, woe,
The magic wheel of longing for my friends you turn, you tell
Me hateful sorrows.  Within my frame my heart resounds,

resounds ……”

Death of the Persian admiral (Ariabignes,
brother of Xerxes) early in the battle
source Wikipedia
Wow, this was a very powerful play.  By the Persians’ defeat, Xerxes has not only lost honour for himself, but he is responsible for the loss of honour of generations before him.  Yet the tragedy of the situation is in his overweening pride and his attempt to place himself in a position above the gods.  He ignored the wisdom of his elders, instead choosing to go his own way, and paid dearly for his folly.

 

Even though, Aeschylus was writing through Persians eyes, elements of a Greek mindset crept in here and there, as in Darius’ horror of the Persians plundering and burning the Greek temples.  And he counsels the Queen for the Persians not to invade Greece because “the Grecian soil is their own ally.”  Very convenient.  Yet there is also a sympathetic tone towards the Persians, as if the Greeks can empathize with the sufferings of battle and the woes of the aftermath of loss.  In fact, the sympathy is startling.  The great daring of such a play perhaps goes beyond both historical and contemporary understanding.  No playwright had risked presenting the enemy, not only from a sympathetic viewpoint, but also showing them as noble and heroic in battle.  The battle at Salamis was a recent event and it is a tribute to the rhetoric of Aeschylus that this play was so well-regarded.  Yet while his feat is indeed admirable, Aeschylus ensures that he remains in control of his creation.  Few names can be traced to real persons, hyperbole is employed and Persians adopt Greek tradition, preventing any person from drawing any concrete truth from his presentation.  His Persian War, while being historically based, is still in the realm of myth, as if he cannot escape it. 

Translated by Seth G. Bernardete

    




Ancient Greek Challenge 2016

Woo hoo!  After some not-so-subtle prodding by yours truly, Keely from We Went Outside and Saw The Stars has decided to host a Greek literature challenge for 2016.  I’m so excited about this challenge as it will allow me to choose books from one of my favourite periods.

General Rules: 
                the Ancient Greek Reading Challenge 2016 runs from the 1st of January to the 31st of December 2016
                I will be accepting sign ups throughout the rest of 2015 and all through 2016. 
                You don’t have to blog about each text, or any, but the purpose of this challenge is to encourage everyone to read Ancient Greek texts so it would be amazing if you spread Ancient Greek love around the blogosphere! 
                If there is enough interest I’ll make check in posts semi often so you can link your reviews or just general comments about this challenge as you see fit. 
                Everything counts for this challenge: plays, essays, non-fiction history, poetry, fragments of texts, criticism etc. As long as it is an Ancient Greek text or a modern text about Ancient Greece it counts! I’ll personally be reading texts from Ancient Greece and the Byzantine Era so you can make this challenge whatever you want it to be. 
                I’ll also love it if you would be interested in writing guest posts here related to this challenge. The more the merrier! 
                Most of all HAVE FUN and spread your passion for Ancient Greek texts. This genre could always use more love. 
The Levels: 
                Level One: 1-4 Texts 
                Level Two: 4-6 Texts 
                Level Three: 7-9 Texts 
                Level Four: 10-12 Texts
                Level Five: 12+ Texts 
I will be aiming for Level Five as I have plans to read as many Ancient Greek plays by the four greats (Euripides, Sophocles, Aeschylus, Aristophanes).
List of (some) Ancient Greek Texts: 
****a lot of ancient greek texts only survive in fragments but i’ve included these in this list if you’re still interested in reading some of them
                Homer: The Iliad and The Odyssey 
                Hesiod: Works and Days and Theogony 
                Archilochus of Paros: Fragments 
                Sappho: Poems 
                Alcaeus: Fragments 
                Pindar: Epinikia and Fragments 
                Aeschylus: The Suppliant Maidens, The Persians, The Seven Against Thebes, Prometheus Bound, Agamemnon, Choephoroe, Eumenides 
                Sophocles: Oedipus the King, Oedipus at Colonus, Antigone, Ajax, Electra, Trachiniae, Philoctetes
                Euripides: Rhesus, Medea, Hippolytus, Alcestis, Heracleidae, The Suppliants, The Trojan Women, Ion, Helen, Andromache, Electra, The Bacchae, Hecuba, Heracles Mad, The Phoenician Maidens, Orestes, Iphigenia Among the Tauri, Iphigenia At Aulis, The Cyclops
                Aristophanes: the Archarnians, the Knights, the Clouds, the Wasps, the Peace, the Birds, the Frogs, the Lysistrata, The Thesmophoriazusae, the Ecclesiazusae, the Plutus
                Herodotus: Histories 
                Thucydides: History of the Peloponnesian War 
                Xenophon: Anabasis, Apology, Symposium, Memorabilia 
                Aristotle: Metaphysics, On the Soul, On Poetics, etc. A complete list can be found here (x)
                Plato: Republic, On Justice, On Virtue, etc. A complete list can be found here: (x
                Theocritus: Idylls and Epigrams
                Callimachus: Hymns, Fragments 
                Apollonius of Rhodes: Argonautica

                 Menander: Fragments 

I’m not sure what I’m going to choose to read, but I have some literature on my Classics Club list that I should get to, and then there are so many other possibilities.

Menander – Fragments
Aristotle – Nicomachean Ethics, Poetics
Ovid – Metamorphoses
Plato – The Republic, Meno, Crito, Phaedo
Plutarch – Lives
Aristophanes – Birds, Lysistrata
Euripides –
Aeschylus – The Suppliant Maidens, The Persians, Seven Against Thebes, Prometheus Bound
Sophocles – Ajax, The Women of Trachis, Electra, Philoctetes

Ooo, I can’t wait to get started!