Monthly Archives: June 2014

New Blog – Old Books

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Well, I’ve been blogging for about nine months at Classical Carousel, reviewing classic literature and a few other odds and ends.  Among those classics have been some wonderful children’s books, and reading them has made me realize that I’d like to make a project of reading many more.  Yet, rather than mix the adult classics with the children’s classics, I’ve decided to create a new blog specifically for the children’s literature that I read.  So, may I introduce:

Children’s Classic Book Carousel will not only include reviews of classic children’s books; I also plan to include some basic literary analysis techniques for those readers who may homeschool their children, or perhaps parents who simply want to have some basic guidance to encourage deeper reading.

Children’s Classic Book Carousel won’t be as active as Classical Carousel, but I will attempt to regularly post reviews as I get around to reading the various and sundry children’s classics that inhabit my bookshelves at home.  So please visit my new blog to discover some old, well-loved children’s classics and many others that may be new to you.  You’ll be very welcome!

Nuits de Juin by Victor Hugo

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Photo courtesy of Mark J P
source Flickr
Creative Commons License
Nuits de Juin

L’été, lorsque le jour a fui, de fleurs couverte
La plaine verse au loin un parfum enivrant;
Les yeux fermés, l’oreille aux rumeurs entrouverte,
On ne dort qu’à demi d’un sommeil transparent.
Les astres sont plus purs, l’ombre paraît meilleure:
Un vague demi-jour teint le dôme éternel;
Et l’aube douce et pâle, en attendant son heure,
Semble toute la nuit errer au bas du ciel.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Well-known for his epic novel, Les Miserables, Victor Hugo was also a poet.  He produced volumes of poetry including, Les Orientales, Les Feuilles d’Automne, Les Chants du Créspecule, Les Voix Intérieures, and Les Rayons et Les Ombres.  Of course, this poem of Hugo’s that I’ve chosen is very month appropriate.  I’m getting good at this!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

June Nights

In summer, when day has fled, the plain covered with flowers
Pours out an intoxicating perfume far off;
With closed eyes, with ears partially open to sounds,
One only half-sleeps with a transparent slumber.
The stars are purer, the darkness more inviting;
A vague half-light tints the eternal dome;
And the sweet and pale dawn, awaiting its time,
Seems to be wandering low in the sky all night.


Transparency
Photo courtesy of Louis Argerich
source Flickr
Creative Commons License

Back To The Classics 2014: Mid-Year Check-In

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It is time for the mid-year check-in of my Back to the Classics Challenge 2014.  While it seems like this challenge started only a month ago, I can proudly say that I have managed to stay on top of it fairly well.  In fact, I have only one more book to go, before I’m finished it.  Here is my progress:

1.  20th Century Classic   
2.  19th Century Classic   David Copperfield by Charles Dickens
3.  A Classic By A Woman Writer  Mrs. Dalloway by Virginia Woolf
4.  A Classic In Translation   Son Excellence, Eugène Rougon by Émile
                                                  Zola
5.  A Wartime Classic  Doctor Zhivago by Boris Pasternak
6.  A Classic by an Author Who is New to You  The Warden by Anthony Trollope

Optional:

1.  An American Classic   The Old Man and the Sea by Ernest Hemingway
2.  A Classic Mystery/Suspense Thriller  The Big Sleep by Raymond Chandler
3.  A Classic Historical Fiction Book  The Once And Future King by E.B. White
4.  A Classic That Has Been Adapted into a T.V. or Movie Series  The Great
               Gatsby by F. Scott Fitzgerald
5.  Extra Fun Category – Write a Review of #4  The Great Gatsby Review


So, you see, one more book and I’m complete!  If only I could say that I was doing as well on all my challenges.  My History Challenge is sadly lacking books, my TBR Pile Challenge is struggling and my Shakespeare Challenge …….?  Well, the less said, the better.  At least when I clear off this challenge I can concentrate on some others.

Have you joined Back To the Classics 2014 Challenge and, if so, how are you progressing?  If you didn’t join the challenge, how many classics have you read this year?

Rotkäppchen (Little Red Riding Hood) by The Brothers Grimm

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Little Red Riding Hood
George Frederic Watts
source Wikipedia

“Es war einmal eine kleine süße Dirne, die hatte jedermann lieb, der sie nur ansah, am allerliebsten aber ihre Großmutter ……….”

German is not the best of my multiple basic languages, but for this month, I decided to tackle Little Red Riding Hood.  I was hoping that my familiarity with the story would help my stumbling reading and I was right! The story begins with: “There once was a sweet little girl who was loved by everyone who saw her, but was most of all loved by her grandmother, … … ”  

Even though this story is a version by Jacob and Wilhelm Grimm, the tale of Little Red Riding Hood has existed possibly since before the 10th century, and no one knows definitively where it originated.  There is evidence of it appearing in France in the 10th century, and Italy in the 14th century.  Not only do numerous versions exist but they occur in widely different areas:  La finta nonna (The False Grandmother) in Italy, The Story of Grandmother and even in Oriental tales like Grandaunt Tiger.  Although the first written version appeared in the 17th century (by Charles Perrault), scholars surmise that the tale did indeed originate in the 10th or 11th century in Europe and somehow spread to Asia.

Little Red Riding Hood (1881)
Carl Larsson
source Wikipedia

This German version, was somewhat different from the anglicized versions that I’d read as a child.  In this version, the wolf eats both the grandmother and Little Red Riding Hood, whereupon a huntsman arrives, cuts open the wolf’s stomach to free them and puts stones inside him before he sews him up.  The wolf awakes and dies from the weight of the stones.  This was similar to the versions that I read as a child, yet this present version ended with a slight twist:  Little Red Riding Hood meets another Wolf one day, who tries to lure her off the path but, with the wisdom of her first experience, she refuses and arrives at Grandmother’s house in one piece.  The wolf follows, climbs on the roof of the cottage, and plans to eat Little Red Riding Hood when she emerges to make her journey home.  Slyly the Grandmother instructs Little Red Riding Hood to put the water she had used to boil sausages in the trough outside.  The wolf, attracted by the wonderful smell, slides off the roof and drowns in the trough.

Little Red Riding Hood (1883)
Gustave Doré
source Wikipedia

Other tidier versions I’ve read as an adult, have Grandmother merely hiding in the closet to escape the wolf, or the huntsman rescuing Little Red Riding Hood before she is eaten.  Call me bloodthirsty, but I don’t care much for these sanitized versions.   These stories were meant to inculcate caution in children and the thought of being eaten would be much more effective than the possibility of having a little scare before you are rescued.  I imagine, during these times, a properly instilled caution could be the difference between life and death.

What fun to read Little Red Riding Hood in German!  Now I won’t be so intimidated to tackle another German tale!

Further reading:

The Great Divorce by C.S. Lewis

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“I seemed to be standing in a busy queue by the side of a long, mean street.”

If you found yourself in Hell and then were offered a chance to leave and spend an eternity in Heaven, you’d jump at it, wouldn’t you? …….. Or would you …….??

The Great Divorce tells of a journey of souls from the grey town, which we soon see represents Hell, to a wide open space of meadows, rivers and mountains.  Yet when the people disembark they are dismayed.  They now appears as Ghosts and all the vegetation is dense and tough in a way that makes movement difficult and, at times, dangerous.  And who are these shining Solid People coming towards them, and what do they want?  Full of joy and laughter, it appears that they only wish for the “Ghosts” to shed their prejudices and grudges and self-absorption and “rights”, to accept help and rescue from their troubles.  ‘Come to the mountain’, they say, yet most are unable to, so firmly have these detrimental traits taken root within them, to the exclusion of anything good.

The Assumption of the Virgin by Francesco Botticini
shows three hierarchies and nine orders of angels
source Wikipedia

The Great Divorce is Lewis’ The Divine Comedy.  As Dante is the narrator of The Divine Comedy, so too, the narrator in The Great Divorce is Lewis himself. George MacDonald, the well-known author of The Princess and the Goblin, Phantastes, and At The Back of the North Wind, a man whose writings had a profound affect on Lewis, serves as his Virgil, a guide to bring him understanding of Heaven and similarly, the grey town of Hell.

Yet while analogous in structure, the Hell of The Great Divorce is very different than that of Dante’s Hell.  It is not a world of men trapped in flaming tombs, immersed in rivers of blood and fire, whipped by demons or eaten by foul creatures.  In The Great Divorce, Hell looks surprisingly like Earth, but a corruption of earth, holding only the negative components of greed, envy, self-worship, revenge, jealously, grudges, etc.  The setting mirrors the emotions, being bleak, desolate and lacking any human goodness.  Rain and dingy twilight permeate the town, and a perpetual feeling of hopelessness is ever-present.  Yet while the souls of this dreary place, recognize intellectually what they live in, and practically understand their actions, they have become drowned in them through excuses, trends, weakness of character, reliance on intellect only, and have become blind to their effects.  In life, they allowed their choices and actions to carry them in the wrong direction and now have little desire to escape.  They have chosen Hell and are unable to conceive of anything outside of it.  Similar to the dwarves in the The Last Battle, ignorance has overcome them and they cannot escape it.

A vision of Hell
from Dante’s Divine Comedy
source Wikipedia

Lewis’ presentation of Hell is not only easily understandable, it is quite fascinating.  Lewis’ Hell is not a Hell for people.  Each “person” there, is there of their own choice, and their descent into it has been a gradual process, and not because of one big sin.  Each of their choices has progressively dehumanized them; it is not that they are beyond salvation, rather that there is no shred of humanness left to save.  Lewis also emphasizes the smallness of Hell by having the bus, not actually travel but grow, sprouting from a small crack in the soil to emerge in Heaven.  Hell, to Lewis is a tiny place and anything that lives there is already withered away.

On the other hand, the Bright or Solid People of Heaven did not get there through moral perfection.  One had been a murderer and confessed to doing worse than that, while another was hardly known on Earth but the people and animals that came into her presence were enriched by her love and charity.  And again, we have another echo from The Last Battle, that Heaven is much more real than earth, exemplified by the tough grass, the hard rivers and terrain that the Ghosts experience and would only have a change of perception if they chose to accept the invitation to become more real.

While Lewis states in his preface that this book is an answer to William Blakes’ The Marriage of Heaven and Hell, he makes if very clear that it is not a story that is meant to be taken in a literal sense; like his Narnia Chronicles, it is a supposition.  More, it is a work that explores human biases, perceptions and attitudes that either allow us to or prevent us from getting closer to God.

C.S. Lewis Project 2014

The Big Sleep by Raymond Chandler

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“It was about eleven o’clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills”

Yes, I went out of my comfort zone!  The Big Sleep is not a book I would usually choose to read, but since it’s on my Guardian 1000 list and a group on Goodreads was reading it for June, I decided to take the plunge.  Initially, I was rather apprehensive because I had read The Maltese Falcon a few years ago and didn’t enjoy it.  Yet within a few pages, I was completely immersed in this story.

Philip Marlowe; private detective; wise guy.  L.A. in the late 1930s.  A millionaire with two wild, uncontrollable daughters.  A missing son-in-law. Can Marlowe navigate the perilous world of high-society, which takes him into the shady dens of gangsters, gambling and murder, to extract truth from a myriad of lies?

With Marlowe was born one of the first of the new detectives.  The description he gives of himself in the beginning of the novel is a dry, witty sketch:

“I’m thirty-three years old, went to college once and can still speak English if there’s a demand for it.  There isn’t much in my trade.  I worked for Mr. Wilde, the District Attorney, as an investigator once.  His chief investigator, a man named Bernie Ohls, called me and told me you wanted to see me.  I’m unmarried because I don’t like policemen’s wives …………. I was fired.  For insubordination.  I test very high on insubordination, General.”

Los Angeles City Hall (1931)
source Wikipedia

The Big Sleep euphemistically refers to death and there are more than a few murders in this tale.  Billed as Chandler’s first novel, it is actually two of his short stories combined:  The Curtain and Killer in the Rain.  In it, he sets the scene with a flourishing skill:

“The air was thick, wet, steamy and larded with the cloying smell of tropical orchids in bloom.  The glass walls and roof were heavily misted and big drops of moisture splashed down on the plants.  The light had an unreal greenish colour, like light filtered through an aquarium tank.  The plants filled the place, a forest of them, with nasty meaty leaves and stalks like the newly washed fingers of dead men. They smelled as overpowering as boiling alcohol under a blanket.”

Curiously, while this is a mystery novel, Chandler often seems more concerned with the setting and characters than the minute details of the plot. Scenes are depicted with meticulous detail, and the characters each have personalities that radiate out, like the beacon of a lighthouse cutting through the mist.  Their charm, or helplessness, or audacity, or coquettishness is distinct and compelling.  In fact, the producer of the movie, The Big Sleep, contacted Chandler to remind him that in the novel, he had never revealed who had killed the chauffeur and asked for the identity of the murderer. Chandler replied that he had no idea.

 I really admired Philip Marlowe’s brash confidence, his raw sense of humour and his composure in dangerous situations.  Often impolitic and impertinent, nevertheless his understanding of human nature and the complexity of people’s personalities, made him a lively, compelling character.  With this work, Chandler managed to avoid the cliche 1930s male detective and invented a character and a book worth reading.  Very enjoyable!

Top Ten Tuesday: Best Books This Year

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Straight from The Broke and the Bookish comes this Tuesday’s question:  

What are your best books of the year?

7.  Mrs. Dalloway:  I was pondering over whether to include this book.  While I wouldn’t say it was one of my favourite reads, it has potential.  I really need to read it again to get more appreciation for it.

  6.  Son Excellence, Eugène Rougon:  so interesting to learn all about French politics under the Second Empire.  Again, Zola’s wonderful descriptive powers made the journey into this story delightful!

  5.  The Old Man and the Sea:  It redeemed my opinion of Hemingway and made me willing to try more of his reads.  Very enjoyable!

  4.  The Warden:  I had no idea Trollope was so much fun!  I’m going to read the whole Barset Chronicles series.

  3.  The Chronicles of Narnia:  I’d read it as a child, but as an adult I was blown away by the various scholarly themes imbedded in it ……… Pascal, Plato, the chronicles had them all. 

  2.  The Odyssey:  a re-read and a read-along.  I truly gained a much greater love for this poem reading it the second time.  

  1.  Paradise Lost:  I’d been scared of this poem for years but I decided to plunge in with a read-along and what a plunge!  Milton’s use of the English language is masterfully stunning; I looked forward to every section read and every post on my blog.  Simple amazing!

Seven books was all I could come up with.  I’ve realized that I had a much better “line-up” at the beginning of last year.  I’m assuming that was simply coincidence, however I’m glad that I’ve posted on this topic because it will help me be more choosy in my reads for the rest of the year.
What about you?  What are your favourite books for the year?  Have you had good luck or bad luck with your choices?

Oedipus Rex by Sophocles

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“Children, young sons and daughters of old Cadmus, why do you sit here with your suppliant crowns?”

A dark curse is upon Thebes.  Blighted cattle and plants cover the land, the women are barren and a deadly plague creeps throughout the kingdom, sparing no one in its fatal grasp.  Creon, brother-in-law to King Oedipus, reveals that the curse placed on the kingdom is a result of the murder of its last king, Laius, and until the perpetrator is found, there is no hope of relief from their present woes.  Oedipus, king of Thebes, calls the wisest man to the palace, the blind prophet, Teiresias, to discover the identity of the vile culprit.  
Yet through wise Teiresias and the shepherds of Laius, it is revealed that Oedipus was unwittingly the killer, slaying the king on a road to Thebes, in self-defence and completely unaware of his victim’s identity.  Unbeknownst to Oedipus, he was fulfilling a prior prophecy, that he would kill his father and marry his mother.  And true to prophecy, Oedipus, after freeing Thebes from a different curse by solving the riddle of the Sphinx, became the new king of Thebes and married the current queen, Jocasta, also his mother.

Oedipus after he solves the riddle
of the Sphinx (1808)
Jean-Auguste-Dominique Ingres
source Wikipedia

Upon hearing the fulfillment of the curse, a stunned and horrified Oedipus flees, yet soon finds Jocasta has hanged herself with shame and, grabbing the brooches from her garments, dashes his eyes out until blood flows in rivers down his face. At the behest of Oedipus, Creon banishes him from the city.

The sins of murder and incest has blighted the life of Oedipus and the lives of his progeny; his sons will be left without a father or inheritance and his daughters will be ostracized, unable to marry.  His anguished speech carries notes of his misery and devastation:

“What can I see to love?
What greeting can touch my ears with joy?
Take me away, and haste —– to a place out of the way!
Take me away, my friends, the greatly miserable,
the most accursed, whom God too hates
above all men on earth!”

The state of blindness and the character of Oedipus are closely linked. Instead of listening to the wisdom of the blind prophet, Teiresias, Oedipus refuses to believe him, therefore choosing blindness over knowledge.  Later in the play, when he accepts the knowledge of his actions, he physically blinds himself, which echoes his emotional blindness earlier in the story.

Can one commit a crime with complete lack of awareness and still be responsible for the repercussions of his actions?  Is the harshness of Oedipus’ penalty and the suffering he endures from the consequences, a justifiable outcome given the circumstances?  Why does no one in the kingdom disagree with the punishment of Oedipus, and appear more shocked by the unintentional sins than the maiming he inflicts upon himself?

Oedipus Separating from Jocasta
Alexandre Cabanel
source Wikipedia

What we can take away from this drama is helplessness in the hands of fate.  Though everyone pities Oedipus and does not blame him, there is nothing they can do in the face of his punishment.  To the Greeks, fate is supreme and unaffected by human choice; Oedipus attempts to avoid his destiny yet only succeeds in bringing it to fruition.  Finally, we are exposed to a chilling Greek worldview, that we can “Count no mortal happy till he has passed the limit of his life secure from pain.”

Apparently Oedipus Rex, while first chronologically of the three Theban plays, is in fact the second in written order.  I will enjoy trying to find out the common threads between the three, and if I feel there are any inconsistencies due to the fact they were composed out of order.  The next one on the schedule is Oedipus at Colonus where we meet Oedipus in exile.

Frankenstein by Mary Shelley

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“You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings.”

Gaining a passionate, yet unguided knowledge for science, young Victor Frankenstein arrives at university with an unquenchable thirst for learning and advancement.  When he involves himself in an isolated solitary experiment to create life, the resulting creature so appalls and revolts him, that he cannot contain his revulsion.  The consequent rejection of his creation culminates in a series of tragedies that could not even have entered Frankenstein’s imagination.

Theodor von Holst
from 1831 edition
source Wikipedia

Initially, the book begins with an introductory sub-plot of Robert Walton, a scientific adventurer who is on a naval quest to find a northern passage or discover the secret of the magnetic poles.  Walton is portrayed as a man intoxicated with the desire for knowledge, a clear indication that his character mirrors that of Victor Frankenstein, and his idealistic dreams parallel those of the friend he rescues (Frankenstein).  At the beginning of Frankenstein’s story, we see how he immerses himself in science and, by doing so, isolates himself from the friends and acquaintances around him, and remains housebound, separated from the outdoors. Without companionship and nature, the very things that feed our souls, he is blind to the spiritual aspects of humanity, seeing only the physiological perspective of a scientific creation.  In effect, he rejects his own Creator to put himself in His place.

In fact, the first sentence of the book, the beginning of a letter from Robert Walton to his sister, gives the reader a clue as to the lack of awareness the scientist can develop to the world around him:  “You will rejoice to hear that that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings.”  In a frenzied quest for new discovery, the scientist can often lose any objectivity and will marginalize the prudent advice given by others, who have perhaps more objective insight.

In Frankenstein’s story, we get a cautionary tale of the consequences of unexamined and incautious actions based on a deification of science, yet therein also lies a theme of abandoned responsibility.  If Frankenstein had attempted to communicate with the creature and valiantly hid his disgust of it, would the outcome have been different?  Could he have humanized his creation with sympathy and nurturing?  I have my doubts. Upon the creature’s flight and escape to the woods, he discovers a family living there and, by observing them, he learns to read and write and is exposed to profound literature, which reveals both goodness and evil to him. The creature learns what it means to be human and, in fact, admires the goodness of the family.  However he ultimately chooses evil, using his rejection by humans as an excuse for his deviant actions.  Victor Frankenstein was another unsympathetic character.  Numerous times he had a chance to attempt to stop the evil he had created, yet each time he did nothing, often at the expense of a human life.  I was actually quite disgusted with him.  His inaction was almost on a level with the creature’s atrocities.

Boris Karloff
as Frankenstein’s monster
source Wikipedia

While I found the plot of this novel in some senses exaggerated, in a general sense it brought up a number of important issues for reflection.  Are we responsible for what we create and, if so, to what degree?  Is knowledge something to be pursued with unlimited passion, or should we approach it with a healthy respect, and should restrictions be put on our pursuit of it?  Does the development of character, values and morality depend on genetics or environment? Shelley brought attention to these universal and timeless issues which segued into more specific questions related to the story.  Should the creature be pitied?  Does his abandonment, rejection and isolation justify his actions of revenge?  Was Frankenstein’s rejection directly responsible for the tragic circumstances, and therefore, was he completely to blame for his own fate?  Is the creature evil, or simply a misunderstood creation, who, if loved and nurtured, would have developed love and empathy and a conscience, like most other human beings?

The story of Frankenstein was birthed during a trip to Geneva in 1816. Together with her husband, the poet Percy Bysshe Shelley, Mary Shelley spent the summer there with their companion, Lord Byron.  After Byron proposed that they each write a ghost story, Shelley found herself at a loss for inspiration.  It was only after a conversation about the “re-animation of a corpse,” that Shelley had a waking dream:

“I saw the pale student of unhallowed arts kneeling beside the thing he had put together.  I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion.  Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world.“

And so Frankenstein was born.

Portrait of Mary Shelley (1840)
Richard Rothwell
source Wikipedia

Mary Shelley was the daughter of William Godwin and Mary Wollstoncraft Godwin, the former a philosopher, novelist and journalist, the latter also a philosopher as well as a writer.  With such notable antecedents, Shelley’s exposure to books was unusually vast for a female of her era.  Here is a chronological list of the works of literature which she read during the years of 1814 to 1821.

Here, also, are two other excellent reviews of Frankenstein by M. Landers and Majoring in Literature for your reading pleasure!  Enjoy!

My Reading Habits

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Through both Carola at Brilliant Years and Plethora of Books, I found a list of questions that relate to reading habits.  Since I have about 10 reviews on the go and haven’t finished any yet, I thought I would take the time to answer a few of the questions.

 

1.  Favourite children’s book?

Ooo, this is hard.  I would have to say Swallows and Amazons by Arthur Ransome, Finn Family Moomintroll by Tove Jansson, The Phantom Tollbooth by Norman Juster, and Five Children and It by E. Nesbit (hilarious!)

2.  What are you reading right now?

You really want to know?  Yikes!  Bleak House, The Screwtape Letters, Money (L’Argent), The Decameron, Augustine’s Confessions, the Oedips trilogy, Barchester Towers, Red Land Black Land, Plato’s Meno, and The History of the Ancient World.  And there are others but they are on hold until I get some of the listed ones cleared up.  How embarrassing!

3.  Bad book habit?

a) Too many books  …….  (is that bad?)  b) having too many books out from the library  c) not reading many of the books I have out from the library (they often go on TBR lists)

4.  What books do you have on request at the library?

The French Market Cookbook, Atomic Accidents, Capital in the Twenty-First Century, and many others (see answer to 3b & c).

5.  What do you have checked out from the library?

Classics of Western Philosophy, Backyard Bountry, Bleak House, The Big Sleep and many others (see answer to 3b & c).

6.  Do you have an e-reader?

I have a basic Kindle but I would choose a book over an e-reader any day.

7.  Do you read one book at a time or several at once.

I used to read one book at a time but now I read several.  I like reading this way but sometimes I can be extreme with my “several.”  Moderation is a good policy.

8.  Have your reading habits changed since you started a blog.

Well, I have less time to read, but I’m probably being more focussed when reading, because I know that I’ll have to review the book afterwards.  So there are positives and negatives, as in anything.

9.  Least favourite book that you’ve read this year (so far).

Can I choose three?  Wuthering Heights, Madame Bovary and Once and Future King.  I think I can make a good case for my dislike of Wuthering Heights; I have searched high and low through personal reviews and scholastic reviews and no one has been able to convey to me anything concrete that I can appreciate about this book.  I wanted to like Madame Bovary, but I just didn’t, and the longer the book sits with me, the less I like it. Once and Future King ……….. honestly, I think T.H. White was a little weird quirky …… okay, a lot quirky.  Some of his writing and portrayals were quite bizarre and I didn’t think he did justice to the original.  That said, I’m only ¼ through the original Le Morte, so perhaps I can’t justify that last comment yet.  I am going to hold him responsible for my inability to enjoy Le Morte d’Arthur, however.  Once and Future King, I think, just put me in a weird head-space for it.

10.  Favourite book that you’ve read this year.

I don’t even have to think about the answer.  Paradise Lost.  Hands down the best, absolutely.  Just brilliant.  An honourable mention goes to The Odyssey, one of my favourites.  This current reading gave me more of an appreciation for it.

11.  What is your favourite place to read?

I like reading in the hammock on the deck or on the beach when there is absolutely no one else there.  Do I get to read in these places?  No.  I’m usually being interrupted or I’m so busy that I have to sneak a few pages here or there.  Sigh!  I can’t wait for summer and more time to read!

12.  Do you ever dog-ear your books or write in their margins?

**** Shocked gasp! **** Dog-earing is taboo!!  However, I do jot notes in the margins of my paperbacks.  I used to be horrified at this practice too, but have since learned that having a conversation with the book is more important to understanding it than having it look pretty.  However, I don’t write in hardcovers (that is shocking) and some more favoured paperbacks I keep pristine and get another copy to write in.

13.  What is your favourite language to read in?

Well, I’m only proficient enough to read in English but I have high hopes of building my French skills to be able to read in that language too.  And while checking out some Spanish books for my Language Freak Summer Challenge, I don’t think it would take too much work to be able to read at a basic level in Spanish.  Of course, all these hopes require time, which I don’t have much of now.

14.  Favourite genre.

I like, of course, the classics.  I also enjoy reading non-fiction history and poetry (particularly epic poetry).

15.  Genre that you rarely read but wish you did.

Probably drama.  I have read some Shakespeare but lately have been reading through some Greek tragedy.  I’d like to explore more of this genre.

16.  Favourite biography.

John Adams by David McCullough.  I also enjoyed Thomas Jefferson, the Art of Power by Jon Meacham and The Seven Story Mountain by Thomas Merton.  With some other bloggers, I’m starting a Well-Educated Mind Biography Project on June 1st.  I can’t wait to acquaint myself with more works in this genre.  

17.  Favourite Cookbook.

The Whole Food Nutrition Cookbook, Food to Live By, The Sprouted Kitchen and It’s All Good.  Yes, I can never pick just one book. 😉

18.  Most intimidating book that you ever read.

Probably Dante’s The Divine Comedy.  It got tougher as I went along.  I felt that this first time I familiarized myself with all the historical allusions.  The next time I’ll be able to dig even deeper and I’m looking forward to it.

19.  Favourite poet.

Well, I haven’t had much poetry exposure but I’d say Homer.  And even with more exposure I’m not sure if that choice would change.  He is the master of crafting the epic poem!

20.  Favourite fictional character – male.

This is a really weird choice, but I loved Sarpedon in The Iliad.  He’s a completely minor character so figure that one out!  And, of course, I loved Hector too!   The only problem with my choices is that it’s probable that these characters aren’t fictional.  Oh well, they’re dead, so that should count for something.  😉

21.  Favourite fictional character – female.

I was going to say Lily Bart from Wharton’s The House of Mirth but I think I more liked the way Wharton portrayed, her instead of the character herself. So I’m going to go with Cassandra from Dodie Smith’s I Capture the Castle and also Ruth from Gaskell’s book of the same name.  The first is hilarious and has a spunkiness that is delightful; the latter is an example of patient long-suffering but with a quiet dignity that is an example to those around her.

22.  Name a book that you could not/would not finish.

The Name of the Rose by Umberto Eco.  I will go back to it at some point but at the time, I was too irritated with it to continue.

23.  Name a book that made you angry.

A New Lifetime Reading Plan.  I expected it to give summaries of various classic novels and a plan to read them, however the authors used the book as a personal platform to inject their modern opinions and judgement on classic literature.  Not only that, their comments while flip, often bordered on rudeness.  The book was a complete waste of money.

24.  Are there any books/authors you’ve been avoiding?

I tend to avoid Thomas Hardy because he’s depressing but I do plan to read through his novels.  I need to begin in a happy frame of mind though.  I also have avoided Ulysses and other Joyce novels, Faulkner, Maugham, and to a lesser extent Henry James.  With all, I will try to read some of their works ,but I’m certainly not stampeding to do so.

25.  Favourite guilt-free, pleasure reading?

Probably children’s novels.  Mostly pre-1970s.  I do like health and nutrition books so I’ll read those too, from time to time.